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**Instruments Demonstrating Ownership in the Path**
35 Ardhanaraach Samhanan
46 Upoot, 36 Meelika Samhanan
47 Sigaat, A Sapashigabi,
48 Tiryaashanupurvi, 38 Neechakotr,
46 Sibayu, 36 Streeved,
50 Manusya-Bhamu, 40 Yug,
51 Manusyamati, 41 Duhswar,
12 Manushyaanupurvo, 42 Anaadey,
53 Audarik Shareer, 43 Niva-Nidra,
54 Audarik Angopaang, 44 Prachala Prapala,
55 Brihasbhanaraach Samhanan. 45 Syaandi,
In the following instruments, to indicate bondage-liberation, the names of the initial progress to the final nature will be mentioned. This means that all the Prakruti's (natures) from the initial nature to the final nature, including the name of the nature, should be taken. For example, if it is written from Devagati to Narakayu, then all the Prakruti's from Devagati, Devanupurvi, Kriya Shareer, Krim Angopaang, Ahaar Shareer, Aaharak Ammohepaang, Devayu, Narakgati, Narak-Aanupurvi, Narak Ayu (2 to 11) should be taken.