Adi Puran Part 1

SR No.: 090010
Original Sutra Author: Jinsenacharya
Author: Pannalal Jain
Publisher: Bharatiya Gyanpith
Publication Year: 2004
Total Pages: 782
Language: Sanskrit, Hindi
Classification: Book_Devnagari, Mythology, & Story
File Size: 27 MB

Page 454

३६४
आदिपुराणम
प्रथमं पृथिवीमध्ये मृत्स्ना रचितवेदिकं । सुरशिल्पिसमारब्धपराद्धनन्दण्डपं ॥ १९९॥ रजचूर्णचय न्यस्तरङ्गबल्युपचित्रिते । प्रत्योद्भिन्नविक्षिप्तसुमनःप्रकराचिते ॥ २००॥ मणिकुट्टिमसंक्रान्तविम्ब मौफिकलम्बने । लसहितानकक्षौम च्छायाचित्रितरङ्गकं ॥ २०३॥ धृतमङ्गलनाकस्त्री रुद्वसंचारवर्तिनि [ वर्त्मनि ] । पर्यन्तनिहितानल्पभङ्गकद्रव्यसंपदि ॥ २०२ ॥ मुरवारवधूहस्त विधूतचलचामरे । अन्योन्यहस्तसंक्रान्तनानास्नानपरिच्छद् ॥२०३॥ सलीलपदविन्यास संचरन्नाककामिनी । रणन्नूपुरशंकार मुखरीकृत दिङ्मुखे ॥ २०४ ॥ नृपाङ्गणमहीर वृतमङ्गलसंग्रहे । निवेश्य प्राङ्मुखं देवमुचिते हरिविष्टरे ॥२०५०गन्धर्वारब्धसंगीत मृदंगामन्द्रनिःस्वने । त्रिविष्टपकुटीक्रोडमाक्रामति सक्तिटम् ॥२०६ नृत्यन्नाकाङ्गनापाठ्य निस्स्वनानुगतस्वरम् । गायन्तीषु यशो जिष्णोः किन्नरीषु श्रवस्सुखम् ॥२०७॥ ततोऽभिषेचनं मत्तः कत्तुमारेभिरेऽमराः । शातकुम्भविनिर्माणैः कुम्भैस्तीर्थाम्बुसंभृतैः ॥ २०८ ॥ गङ्गासिन्ध्वो महानद्येोरप्राप्य धरणीतलम् । प्रपाते हिमवत् कूटाइ यदम्बु समुपाहृतम् ॥ २०९॥ यच्च गाङ्गं पयः स्वच्छं गङ्गाकुण्डात् समाहृतम् । सिन्धुकुण्डादुपानीतं सिन्धोर्यत् कमपङ्ककम् ॥ २१०॥ "शेषन्योमापगानां च सलिलं यदनाविलम् । तत्तत्कुण्डलदापात समासादितजन्मकम् ॥ २३३ ॥
។ ។
'जय जीव', इस प्रकार की घोषणा कर रहे थे ।। १९८ ।। राज्याभिषेकके प्रथम ही पृथिवीके मध्यभागमें जहाँ मिट्टीकी वेदी बनायी गयी थी और उस वेदीपर जहाँ देव कारीगरोंने बहुमूल्यश्रेष्ठ आनन्दमण्डप बनाया था, जो रत्नोंके चूर्णसमूहसे बनी हुई रंगावलीसे चित्रित हो रहा था, जो नवीन खिले हुए बिखेरे गये पुष्पोंके समूह से सुशोभित था, जहाँ मणियोंसे जड़ी हुई जमीनमें ऊपर लटकते हुए मोतियोंका प्रतिबिम्ब पड़ रहा था, जहाँ रेशमी वस्खके शोभायमान
दो छायासे रंगभूमि चित्रित हो रही थी, जहाँ मंगल द्रव्योंको धारण करनेवाली देवांगनाओंसे आने-जाने का मार्ग रुक गया था, जहाँ समीपमें बड़े-बड़े मंगलद्रव्य रखे हुए थे, जहाँ देवोंकी अप्सराएँ अपने हाथोंसे चंचल चमर ढोल रही थीं, जहाँ स्नानकी सामग्रीको लोग परस्पर एक दूसरेके हाथमें दे रहे थे, जहाँ लीलापूर्वक पैर रखकर इधर-उधर चलती हुई देवांगनाओंके रुनझुन शब्द करते हुए नुपुरोंकी झनकार से दशों दिशाएँ शब्दायमान हो रही थीं, और जहाँ अनेक मंगलद्रव्योंका संग्रह हो रहा था ऐसे राजमहलके आँगनरूपी रंगभूमि में योग्य सिंहासनपर पूर्व दिशा की ओर मुख करके भगवान् वृषभदेवको बैठाया और जब गन्धर्व देवोंके द्वारा प्रारम्भ किए हुए संगीत के समय होनेवाला मृदंगका गम्भीर शब्द समस्त दिक्तटोंके साथ-साथ तीन लोकरूपी कुटीके मध्यमें व्याप्त हो रहा था तथा नृत्य करती हुई देवांगनाओंके पढ़े जानेवाले संगीत के स्वर में स्वर मिलाकर किन्नर जातिकी देवियाँ कानोंको सुख देनेवाला भगवानका यश गा रही थीं उस समय देवोंने तीर्थोदकसे भरे हुए सुवर्णके कलशोंसे भगवान् वृषभदेवका अभिषेक करना प्रारम्भ किया ।।१९९-२०८ || भगवान् के राज्याभिषेकके लिए गंगा और सिन्धु इन दोनों महानदियोंका वह जल लाया गया था जो हिमवत्पर्वतकी शिखर से धारा रूप में नीचे गिर रहा था तथा जिसने पृथिवीतलको छुआ तक भी नहीं था । भावार्थनीचे गिरने से पहले ही जो बरतनों में भर लिया गया था || २०९ || इसके सिवाय गंगाकुण्डसे गंगा नदीका स्वच्छ जल लाया गया था और सिन्धुकुण्डसे सिन्धु नदीका निर्मल जल लाया गया था ।। २२० ।। इसी प्रकार ऊपरसे पड़ती हुई अन्य नदियोंका स्वच्छ जल भी उनके गिरने के
१. रचित । २. नवविकसित । ३. दुकूल । ४. परिदरे । ५. मध्यम् । ६. गद्यपद्यादि । ७. जिनेन्द्रस्य । ८. श्रवणरमणीयम् यथा भवति तथा। ९. उपक्रमं चक्रिरे । १०. जलम् । ११. रोहिट्रोहितास्यादीनाम् । १२. अकलुषम् । १३. तानि च तानि कुण्डानि । १४. सम्प्राप्तजननम् ।

Translation AI Generated

364
Adipuranam
A platform made of earth was constructed in the middle of the earth. On this platform, the divine artisans built a magnificent Ananda Mandap, adorned with a multitude of precious gems, painted with vibrant hues, and embellished with clusters of freshly bloomed flowers. The reflection of the pearls hanging from the ceiling was cast upon the ground inlaid with jewels. The silken garments of the celestial beings were adorned with two shades of color, creating a vibrant spectacle. The path of the celestial maidens, carrying auspicious offerings, was blocked. Near them, an abundance of auspicious materials was kept. The celestial nymphs, with their hands, waved the fluttering chamaras. They exchanged the bathing materials with each other. The celestial maidens, gracefully moving with their feet, filled the ten directions with the sound of their anklets. The courtyard of the palace, adorned with an array of auspicious materials, was transformed into a stage. Lord Vrishabhadeva was seated on a suitable throne, facing the east. As the Gandharvas began to play music, the deep sound of the mridanga resonated throughout the three worlds. The celestial maidens, dancing to the rhythm of the music, sang the praises of the Lord, their voices blending with the melody. The Kinnaris, with their melodious voices, filled the ears with the glory of the Lord. Then, the gods began to perform the abhisheka of Lord Vrishabhadeva with golden pots filled with holy water. The water from the great rivers Ganga and Sindhu, which had not yet touched the earth, was brought from the peaks of the Himalayas, where it flowed down in streams. The water that had been collected in vessels before it fell to the earth was also brought. The pure water of the Ganga was brought from the Ganga Kund, and the clear water of the Sindhu was brought from the Sindhu Kund. Similarly, the pure water of other rivers, falling from above, was collected from their respective sources.
"Victory to the Jiva," they proclaimed. 198.
At the very beginning of the coronation, in the middle of the earth, where an earthen platform was built, and on that platform, where the divine artisans had built a magnificent Ananda Mandap, adorned with a multitude of precious gems, painted with vibrant hues, and embellished with clusters of freshly bloomed flowers, where the reflection of the pearls hanging from the ceiling was cast upon the ground inlaid with jewels, where the silken garments of the celestial beings were adorned with two shades of color, creating a vibrant spectacle, where the path of the celestial maidens, carrying auspicious offerings, was blocked, where an abundance of auspicious materials was kept, where the celestial nymphs, with their hands, waved the fluttering chamaras, where they exchanged the bathing materials with each other, where the celestial maidens, gracefully moving with their feet, filled the ten directions with the sound of their anklets, and where an array of auspicious materials was collected, in the courtyard of the palace, transformed into a stage, Lord Vrishabhadeva was seated on a suitable throne, facing the east. As the Gandharvas began to play music, the deep sound of the mridanga resonated throughout the three worlds. The celestial maidens, dancing to the rhythm of the music, sang the praises of the Lord, their voices blending with the melody. The Kinnaris, with their melodious voices, filled the ears with the glory of the Lord. Then, the gods began to perform the abhisheka of Lord Vrishabhadeva with golden pots filled with holy water. 199-208.
For the coronation of the Lord, the water from the two great rivers, Ganga and Sindhu, was brought. This water flowed down from the peaks of the Himalayas in streams, and had not yet touched the earth. The water that