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3.8.1 Architectural Ornamentation
The ornamentation incorporates epigraphs, verses of holy book, brickwork and geometric ornamentation and calligraphy. Arabesque designs are selective to Islam and are made from two elements; interweaved designs and vegetable plans. Interlaced designs are basically a grandstand of geometric idea. While the vegetable plans are an indication of endeavors to diagram weight, and since they are comprised of interwoven shapes, one might say that it has been enlivened less from a genuine vegetable than a simply linear method (Imeni, 2011, p. 142).
3.8.2 Spiritual Foundations
It incorporates the accompanying elements:
Space: The Muslim designer considers the rhyme of climb in every one of his structures and looks to rise above from the natural domain and come to a more prominent and more significant space. They likewise free himself from the progressions and advancements of this world.
Shape: The universe is comprised of certain however inconspicuous truth and it will come back to it. Shapes have dependably been in the ideal immaculateness and flawlessness; it is this virtue and flawlessness that qualities Architecture with a supernatural trademark and conveys it near the pictures of the other domain.
Symmetry: Symmetry in Architecture is propelled by nature. Symmetry itself comprises of two sorts: vertical and even. In vertical symmetry the pictures of the building was made so utilizing the waterfront, and in even symmetry wall inverse to each other are indistinguishable.
The Orientation of the Mosque: The entire building is arranged towards Qibla. The pivot of Mosques towards the close-by rows originates from a similar regard.
Absence of Orientation: Rather than the general view that is arranged towards Qibla, the inside of the mosque is totally without orientation and plans to regard the absence of any visual segregation in the mosque by either total majority or outright straightforwardness.
