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EPIGRAPHIA INDICA
Second Plate; First Side
16 ghair-nibisha-Kunti-tanayatvam-ötab [12] Göpījan-ārañjita-mānasasya a-[r]shy-čva vakahab panibri[tya*] Vishtö(shnö)b [*] nib
154
[VOL. XXIX
17 6sha-rimljana-daha-sashstham-ädaya saundaryam-ih-jagāma || [13] Varon-ady-ishaguna-jūtam-ayam-va(m-ba)bhāra patyu
18 r-mam-atula-va(ba)lasya Rathāngapaņēḥ | ten-aham-agra-mahishi jagatībhujō-sya bhūtā janë na khalu lāghavam=abhyu
19 paimi || [14] Iti yasya mahādēvi viganayya mano-nug-abhaval-Lakshmiḥ | Sri-Mangalabhidhānā pramada-ratn-ōttaman-nri
20 pateb [15] Tasy-dêsha-kshitipa-makut-ödghrishța-pād-āvja(bja)-pishasy-idbha(bha)t-sunur-nripa-guṇa-mahāratna-mālā-vibhusha[*] () tasyain(sya)n-devyām akhila
bhuvan-ananda
21 ko yaḥ śaś-iva śriman-khyātō jagati Vanamal-ābhidhānaḥ kshiti(t-i)
22 śaḥ || [16*] Jalanidhi-taṭa-vana-mālā-sim-āvadhi-mēdinī-patitvasya | yōgya iti nama dhātā cha
23 krē Vanamāla iti yasya || [17] Prachand-arati-mattēbha-ghața-dhvant-öru-samhatim | divakarāyitam
24 yēna vidarya rana-bhūmishu || [18] Kshiti-tanaya-nripa1-vamsa-prabhava-narendra-amalamva(mba)rē yēna | sphu
25 tam-va mrigākäyitam-utary-äräti-ti[mi*]r-d(r-su)gham [19] Bhüri-dripts-ripu-vira
vähini-saila-va
26 jram-uru-vikram-äsinā | yēna rājakam-asēsham-asyata śrir-akari chiram-čka-bhartṛikā || [20] Yasya pratāpa-bhiy
27 va(ba)hu-ripu-jayino-pi mēdinipäläḥ [/*] kõchi[d*)-dis vijagrihuḥ prasabham-alamh chamaranyanye | [21] Räjääm-anyahah
28 yē niśitān=ājāv=ishū[n*] nṛipā mumuchuḥ () yasya ta ēva vibhitya bhūmīr=dūran=nijā vijahuḥ || [22] Yair-abhimukham ripu(pu)
39 när-ghațită matta-kari-ghati-va(ba)ndhāḥ tair-vikram-aika-bit?[r*]=yasy=&{th*}jalayaḥ kritā[h] kshitipaiḥ || [23*] Dhur-ühe Nahu
30 shasya yēna patitaṁ kāl-āntarād=ālayaṁ saudhaṁ bhakti-nat-ākhil-āmara-vara-vrāt-architanhrēḥ punah | Prālēya
31 chala-ringa-tudgam-atala-grim-ébha-věsyljansirayukta[i*] Hētuka-Salinab kohitibhuj bhaktyä nava[i*] chakrusha* || [24*]
Second Plate; Second Side
32 Yasy-Ananta-dyutim-atisita naga-lõke hasanti | din-nāgānāṁ évasita-janitāṁ sikar-aliñ-cha
dikshu
1 The word nripati would suit the metre better.
There is an ornamental design at this place to cover the space at the end of the verse.