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38
G. U. Thite
Makaranda
10, I. 8. 2, II. 7. 1, III. 4. 4, IV. 2. 6, IV. 4. 5, IV. 4. 11, V. 1. 6, V. 1. 8, V. 2. 3, V. 3. 8, VI. 2. 5, VI. 4. 7, VII. 2. 1-4, VII. 3. 1, VII. 4. 1-2, VIII. 4. 8, VIII. 5. 4. In all these cases there is the figure.
In the following example there is a Kampa with the figure 3 - hrdayyoзntaramṛtah, I. 4. 4. For similar Kampa see I. 8. 2, III. 1. 6, IV. 3. 1, V. 1. 3, VI. 4. 15, VIII. 1. 9, VIII. 4. 7.
In the Ṛgveda the refrains like sa janāsa indraḥ (II. 12) or kuvit somasyāpāmiti (X. 119) are famous. As in the Ṛgveda, in the Chandodarśana also there are some refrains or some lines which are stylistically repeated. Indeed there is rather too much repetition and use of refrain. These are the oft repeated refrains.
1. jyotir viśvasya darśayat : I. 1. 3, I. 2. 7, I. 3. 4, I. 5. 10, I. 6. 5, I. 7. 5, I. 8. 5, IV. 3. 12, IV. 4. 12, IV. 5. 8, IV. 5. 10, V. 2. 10, V. 3. 14, VI. 1. 8, VI. 2. 10, VI. 3. 16, VI. 4. 16, VII. 2. 11, VII. 3. 8, VII. 4. 7, VIII. 1. 10.
2. sendro marutvān rājatīha sa madhyamaḥ: 1.6. 1-5.
3. vayuḥ sahasendravāntsa madhyamaḥ : I. 7. 1-5.
4. marutam sa pită rudraḥ sa madhyamaḥ: I. 8. 1-5.
5. vāg vidā pratimā brahmaṇaḥ să pară: II. 2. 2-7.
6. vāg vidā mātā viśvasya brahmaṇo yoniḥ: II. 4. 1-10.
7. samena tam purusaṁ prapadye rasena: III: 5. 1-7.
8. sendrameva tam vrne śam gamadhyai: IV. 2. 2-9.
9. indrasyaiva ṛṇī bhavānyanṛṇo'nyad indrameva tam vṛne sam gamadhyai: IV. 4. 1-11.
10. sa satyoyam amṛto viśvavedāḥ : IV. 5. 1-7, IV. 6. 1-9, V. 2. 1-9, V. 3.
1-13.
11. tapasā dhibhiḥ purusam tam prapadye: VI. 1. 1-7, VI. 3. 1-15, VI. 4.
1-15.
12. parasmā puruṣaḥ sa pūrṇaḥ paramaḥ : VI. 2. 1-9.
13. tā āpo devyaḥ svamīṁ mā punantu : VII. 2. 1-10.
