Sumati Jnana

SR No.: 012067
Original Sutra Author: N/A
Author: Shivkant Dwivedi, Navneet Jain
Publisher: Shantisagar Chhani Granthamala
Publication Year: 2007
Total Pages: 468
Language: English, Hindi
Classification: Smruti_Granth & Articles
File Size: 14 MB

Page 274

Digamberism of Jinas is the Root Culture of Indus Civilization
protection of the State Government threatening Jain Pilgrims
The Fifth key lies open stray on the Jain Cave temple Hills of Tamil Nadu and Karnataka (Pl. 35.12 & 35.13). Repeatedly under the control of ASI yet uncared. Famous Indus Sign Expert J. M. Kenoyer has publicized that sign as Indus but the Indian Epigraphists visiting those sites have so far totally neglected them alike ASI if intentionally (?) no one knows. That sign lies open repeatedly in Shravana Belagola also but no one cared so far to report it.
On Shravana Belagola one finds sixth (Pl. 35.14 & 35.15), seventh (Pl. 35.16) and so to say 155 Indus Signs (Pl. 35.17 & 35.18) as Keys wholly ignored under the ASI protection. When I reported it through a Live work Shop, no interest was shown by the Epigraphists. However, sooner a Jina sketch was seen on the huge Boulder Rock known as the Adi Jina Shila with four clear and fifth a feeble sign of standing fish to announce self as the SEED INDUS ROCK (Pl. 35.19 & 35.20).
It is a very bold Key to be taken in to record. Yet neglected. !
See Pl. 35.21, 35.22, 35.23, 35.24 & 35.25
When nothing could move the Epigraphists, suddenly in a Calender of Bare Baba some Indus Signs caught my eyes while I was in USA. I rushed back to India and took few photographs of Bare Baba, as not much was visible with my naked eyes. The Eye of my Camera did indicate resembling signs and thence my hunt of Indus Script on all the ancient Jina images started. By now I have Ten Jinas in my Camera with Indus Script on either their Legs or on their seat base. The texts reveal interesting messages, all different.
So far deciphering was done by the epigraphists by applying the method of Rebus hence, the same was applied to read the texts but applying the Jainistic approach against the so far applied Vedic. Very meaningful messages were gained.
Infact, the daily Jain Puja itself is symbolic and is performed using few Indus signs at the very beginning. That led me to draw a Jaina Sign glossary which goes in full agreement with the Indus Signs. That helped me in reading all the Indus Texts so far seen and reported (Pl. 35.26, 35.27 & 35.28).
The Dhai Dweep Signs, Sallekhana, Pancham Gati and the Jain Shramana Signs with specification of Tirthankarhood and Salvation to Dravya lingi Man only are specialties of Indus Script to declare that it was the Digamber Jain Culture only as the Root culture of India from which all the other Indian religions have outshooted as deviations.
B 0)
∞
ANDA
A.
م در محمد محمد حمد
Forms B have derived from the forms A
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AS
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