Traivarnikachar

SR No.: 010851
Original Sutra Author: N/A
Author: Pannalal Soni
Publisher: Jain Sahitya Prakashak Samiti
Total Pages: 438
Language: Hindi
Classification: Book_Devnagari
File Size: 16 MB

Page 200

त्रैवर्णिकाचार। .
orma.mararmnirurwwmar है, छत्र चामर आदि आठ प्रातिहार्योंसे युक्त हो, जिसके शारीरिक अवयव परिपूर्ण और शुभ हों, देखनेमें ऐसा हो कि जो मनुष्योंके भावोंको अपनी ओर खेचती हो अर्थात् वीतरागता को लिए हुए हो ॥ २५ ॥ २६ ॥ २७ ॥ २८ ॥ २९ ॥ ..
प्रातिहाविना शुद्धं सिद्धबिम्बमपीदृशम् । .
सूरीणां पाठकानां च साधूनां च यथागमम् ॥ ३०॥ प्रातिहार्य को छोड़ सिद्ध-बिम्ब भी ऐसाही होना चाहिए । तथा आचार्य उपाध्याय और साधुओं की प्रतिमा भी आगमके अनुसार ऐसीही होनी चाहिए ॥३०॥
वामे च यक्षी विभ्राणं दक्षिणे यक्षमुत्तमम् । नवग्रहानधोभागे मध्ये च क्षेत्रपालकम् ॥ ३१॥ यक्षाणां देवतानां च सर्वालङ्कारभूषितम् । '
स्ववाहनायुधोपेतं कुर्यात्सर्वाङ्गसुन्दरम् ॥ ३२॥ उस अर्हन्तकी प्रतिमाके बाई ओर यक्षी हो, दाहिनी ओर यक्ष हो, प्रतिमाके नीचले भागमें नवग्रह हों, पीठके मध्यमें क्षेत्रपाल हो । तथा यक्षों और यक्षियों की प्रतिमा सम्पूर्ण अलंकारोंसे सजी हुई, अपने अपने वाहन और आयुधोसे युक्त सर्वांग सुन्दर बनावे ॥ ३१ ॥ ३२ ॥
लक्षणैरपि संयुक्तं विम्ब दृष्टिविवर्जितम् ।
न शोभते यतस्तस्मात्कुर्यादृष्टिप्रकाशनम् ॥ ३३ ॥ यदि प्रतिमा उक्त लक्षणोंसे युक्त हो परन्तु उसकी दृष्टि-नजर ठीक ठीक न हो तो वह देखने में सुन्दर नहीं लगती है, इस लिए प्रतिमा की दृष्टि स्पष्ट बनवाना चाहिए ॥ ३३ ।।
प्रतिमाकी दृष्टि व हीनाधिक अंग-उपांगका फल । अर्थनाशं चिराधं च तिर्यग्दृष्टेभयं तदा । अधस्तात्पुत्रनाशं च भार्यामरणमूर्ध्वदृक् ॥ ३४ ॥ शोकमुद्वेगसन्तापं सदा कुर्याद्धनक्षयम् । . . शान्ता सौभाग्यपुत्रार्थ शान्तिवृद्धिप्रदानदृक् ॥ ३५ ॥ . सदोपा च न कर्तव्या यतः स्यादशुभावहा । कुर्याद्रौद्री प्रभो शं कृशाङ्गी द्रव्यसंक्षयम् ॥ ३६॥ . संक्षिप्ताङ्गी क्षयं कुर्याचिपिटा दुःखदायिनी। विनेत्रा नेत्रविध्वंसी हीनवक्त्रा त्वभोगिनी ॥ ३७ ॥

Translation AI Generated

## Trivarnika Achar

The image should be **mararmnirurwwmar**, adorned with eight **pratiharys** like a parasol and a fly whisk, with a complete and auspicious physical form, appearing to draw in the emotions of humans, signifying the attainment of **vitragata** (freedom from attachment). || 25 || 26 || 27 || 28 || 29 ||

Even the **siddh-bimba** (image of a liberated soul) should be pure and similar, following the **agama** (scriptural texts) for the **suris** (teachers), **pathkas** (students), and **sadhus** (ascetics). || 30 ||

On the left, there should be a **yakshi** (female celestial being), and on the right, a **yaksha** (male celestial being). Below, there should be the **navagrahas** (nine planets), and in the middle of the back, the **kshetrapal** (guardian deity of the area). || 31 ||

The images of the **yakshas** and **yakshis**, as well as the deities, should be adorned with all ornaments, and should be depicted with their respective vehicles and weapons, making them beautiful in every way. || 32 ||

Even if the image is adorned with the aforementioned characteristics, it will not be pleasing if the eyes are not properly depicted. Therefore, the eyes should be made clear. || 33 ||

The eyes of the image, as well as any deficiencies or excesses in the limbs and appendages, have consequences. A downward gaze brings fear of **tiryag** (lower births), loss of wealth, and long-term suffering. An upward gaze brings the death of the wife and the loss of children. || 34 ||

A gaze that is constantly sorrowful, anxious, and agitated brings constant loss of wealth. A peaceful gaze brings good fortune, children, peace, and prosperity. || 35 ||

A **sadopa** (image with a raised hand) should not be made, as it brings misfortune. A **raudri** (fierce) image, a thin-bodied image, or an image with a **dravyasamkshaya** (loss of wealth) should be made. || 36 ||

A **sankshriptaangi** (image with shortened limbs) brings loss, a **chipita** (image with a pinched face) brings suffering, a **vinetra** (image without eyes) brings blindness, and a **heenavaktra** (image with a small mouth) brings a life of deprivation. || 37 ||