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Kalaya Pahuda Sunta
(155) The six mula-gaha (102) and one dvidi-visesa, and the dvidi-visesa in some places increases, and in some places decreases. It should be understood in the respective anubhaga.
(156) The mala-gaha (103) one, and the dvidi-visesa in the asankhejja dvidi-visesa, increases and decreases in the respective anubhaga.
(157) In the seven lula-gaha (104), which dvidi-anubhaga increases in which part, and which decreases. In which is the avatthanam or the guna or the visesa.
(158) The dvidi increases the adhiga, hina and bandha-samaga. It increases the bandha-sama, hina, but does not increase the adhiga.
(159) Even in the anubhaga, it increases what is not avaliapaviddha. It increases the bandha-sama, becomes nirusakama, and the avaliyas.
(160) The vaddhi becomes hani, the adhiga, the hani becomes the avatthanam. The guna-sedi is to be understood as asankhejja and the padesakka.
(161) The ovadhana-plubba-ttana is in the kittiva-jjesa kamma. The ovatthana is to be practiced in the kittikkarana.
(162) How many kittis, in which kasaya, and how many kittis? What is the karana, the lakkhanam and what is the kitti?
(163) There are twelve, nine, six, and three kittis, or infinite in each kasaya.
(164) The kitti does the niyama, the ovatthana, the tthidi and the anubhaga. The akaraggo of the kitti is to be understood.
(165) The guna-sedi is ananta-guna of lobha-adi, kodha, the paccima-pada, and the kamma-rasa and the anubhaga, this is the lakkhanam of the kitti.