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His period is being considered at 16th century. He had written commentaries on Tattvacintāmani and Tattvacintamani Dīdhiti, which are famous by the name Māthuri (H1°). It's name is ‘Rahasya’ (TE). He has his commentaries on “Kusumāñjali' ( HiG ) and Atmatattva vivek (3416Hatalado).
He has also written Māthurī on Pakshadhar Miśra's Alok, but it is still unpublished. He has also an independent volume on Nyāya as 'Nyāya-Rahasya’ (F4-FER). He was not only scholar but lucky also. His descendants are still at Manihāri town. (6) Jāgadiśa Tarkālaņkara ( Heigt Achiricha)
Jāgadiśa Tarkālankara was pupil of Bhavānand Tarkavāgisa (alia ndaritzt). He has written a criticism on Dīdhiti which is famous and now known as “Jāgdīšī (HKGİYÍT). On the Anumān chapter of Dīdhiti, Jāgdīshī and its pervasion is so scholarly written he supersedes Gadādhara ("TGTETT) and Mathurānātha. In addition to Dīdhiti he written commentary on Pakshadhara Miśra’s ‘Alok’ also. 'Sabda-Śakti-Prakaśikā’ (1091f76 4 121061) 'Tarkāmruta' (afqa) and 'Nyāyādarśa' (PRIGES) are his independent volumes. 'Sabda-Śakti-Prakāśikā? is the best work in linguistics. Similarly he had tried to fill up the ocean of Nyāya in a jar in 'Tarkāmruta. His period is being considered in 16th century. (7) Viśvanātha Pancānana ( fartet UEFA )
Vishvanātha Pañcānana was Bengali Brahmin and was resident of Bengal. Śriniwāsa Bhattācārya (Pftar Harf) was his father. As a favour on his pupil Rājiv (Tula) he had written ‘Nyāya-Siddhant-Muktāvali (Priftian Tamt) in 1556 Shak.
