Aparajitaprucchha

SR No.: 008438
Original Sutra Author: N/A
Author: B Bhattacharya
Publisher: Oriental Research Institute Vadodra
Total Pages: 810
Language: Sanskrit, Hindi
Classification: Book_Devnagari, Culture, & Art
File Size: 12 MB

Page 49

प्रसाद ल
STRONOMOROS
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नगर
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arfas
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The doorways in उतिन, खान्धार, मिश्रक, सिंहावलोकन, विमाननागर and विमानपुष्पक are the same as in नागरप्राबाद, while विमान, वराट and वलमीप्रासादs have the doorways similar to those in भूमिज, फोसनाकारs have followed the द्राविड scale in this respect.
It will be seen that the doorways of temples are invariably smaller in height in fa and aras varieties of structures than in the ar ones. It indirectly gives an idea as to the relative statures of Dravidians and Nagars.
227 सू.
The churning of the ata by Gods and Demons brought forth, along with several other valuables, a charming tender-limbed divine tree सुरत६ with variegated पत्र, पुष and फल. This tree had its branches spread out in different cardinal points, each branch giving rise to different styles, c. g at style came into being in eastern branches, f in the southern, and in the western and northern respectively: while from those branches which shot upwards came the fe and the origin of the aga lay in between the branches.
227 and 230 €.
These branches further put forth leaves in different seasons, amne leaves in वसन्त, द्राविड in ग्राम (summer ), व्यन्तरपत्र in the rainy season while the वेसरपत्र shot forth in शरद् ( autumn ), कालिङ्ग and यामुन in हेमन्त and शिशिर 230 सू. This very idea is emphasised in another सूत्र wherein the (a), f. 4, etc. of these styles are differentiated. Thus the कुलस्थान ( देश ) of Indian styles is a distinguishing feature, as in a general way the art style is prevalent in पूर्वदेश