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(Dha) Vibhudasena, Yogendra Dev, Lakshmidev, Yogadev, and Abhaynandi Suri, among many other Digambara scholars, have written simple Sanskrit commentaries on Tattvartha. I do not have a special introduction to them. In addition to so many Sanskrit commentators, there have been many Digambara scholars who have written commentaries on Tattvartha in Hindi and other languages, some of whom have written commentaries in Kannada and the rest in Hindi.
3. Tattvartha Sutra
To gain an external and internal special introduction to Tattvartha Shastra, four points based on the original text are considered - (a) Inspiring material, (b) Purpose of creation, (c) Style of composition, and (d) Description of the subject.
(a) Inspiring material
The material that inspired the author to write 'Tattvartha Sutra' is mainly divided into four parts.
1. Inheritance of Agama Knowledge - Just as the Vedas are considered the primary authority in Vedic philosophy, in Jain philosophy, Agama texts are considered the main evidence, and the authority of other texts lies in following the Agama. The inheritance of this Agama knowledge was suitably received by the speaker Umaswati through a traditional lineage, which is why he had a clear and organized understanding of all Agamic subjects.
2. Sanskrit Language - Due to residing and roaming in regions such as Kashi, Magadh, Bihar, and perhaps being of the Brahmin caste, the speaker Umaswati had a deep study of the principal language, Sanskrit, of his time. With access to the Sanskrit language opening up correctly in addition to the Prakrit language for knowledge acquisition, he had the opportunity to learn about the Vedic philosophical literature and Buddhist philosophical literature and fully utilized that opportunity to enrich his knowledge repository.
1. See - Preface to the Hindi translation of Tattvarthabhāṣya by Shri Nathuramji Prebhi.