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These were indeed intensely and passionately attached individuals. It seems that whether a community or a group, the status of being a follower was equally applied to all. Therefore, they are all understood to be Digambara. It is natural for the texts on conduct composed by scholars or monks from various communities or sects with moderate and intense sentiments to present a contradictory representation of nudity and clothing. Additionally, there were some groups, like the Yapaniya, that neither fully aligned with the complete unclothed side nor found their place in the completely clothed side. When such groups faded away, some of their texts were primarily preserved by the Svetambara tradition, which was particularly favorable to that sect, while some works remained specifically in the Digambara tradition and were subsequently understood as Digambara due to the passage of time. Thus, it is not unreasonable to find an explicit expression of nudity in the works of scholars from the numerous ancient and medieval Digambara sects and the right depiction of moderation at various points. The strong claim to nudity currently seen in the Digambara tradition, particularly that of the Terapanthi, seems to be a result of the past two to three hundred years. Simply relying on this sentiment would never suffice to clarify all the old literature that is considered Digambara. The Dasavaikarika and similar texts hold such high esteem in the Svetambara tradition that their abandonment has itself become established in the Digambara tradition. If foundational texts like the Mulaachar were completely accepted by the Svetambara tradition, they would likely not hold such a prominent position in the Digambara tradition.
Concerning Uma Swati's caste and birthplace, there is no explicit statement about caste in the eulogy, yet the maternal clan indicator "Vaatsi" is present, and "Kaubhishani" is also a clan marker. This indication of the clan suggests Uma Swati belonged to the Brahmin caste, and it would likely not seem objectionable to someone well-versed in the lineage of the Brahmin caste known for strictly adhering to clan traditions. The eulogy mentions "Nyagrodhika" village as the birthplace of Uma Swati. The whereabouts of this Nyagrodhika, its historical context, and its current status are all shrouded in mystery. Investigating this would be a fascinating subject. The eulogy references the Tattvarthasutra.