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Contents
Introduction 1. The Author of Tattvarthasutra - Umāsvāti
1-28 (a) The Time of the Author Umāsvāti 6, (b) The Qualifications of Umāsvāti 13, (c) The Tradition of Umāsvāti 15, (d) The Caste and Birthplace of Umāsvāti 27 2. The Interpreters of Tattvartha
28-42 (a) Umāsvāti 28, (b) Gandhahastī 29, (c) Siddhasena 34, (d) Haribhadra 36, (e) Yaśobhadra and the Disciples of Yaśobhadra 37, (f) Malayāri 38, (g) Chirantanmuni 38, (h) The Reciter Yaśovijaya 38, (i) The Scholar Yaśovijaya 39, (j) Pūjya-pāda 40, (k) Bhaṭṭa Akalaṅka 41, (l) Vidyānanda 41, (m) Śrutasaṅgara 41, (n) Vibhudhasena, Yogiṇra Deva, Lakṣmī Deva, Yogadeva, and Abhayānanda Sūri, etc. 42 3. Tattvarthasutra
42-59 (a) Motivating Factors: 1. The Inheritance of Agama Knowledge 42, 2. Sanskrit Language 42, 3. The Impact of Philosophical Schools 43, 4. Intuition 43 (b) Purpose of the Composition (c) Compositional Style (d) Description of the Subject: Selection of the Subject 46, Division of the Subject 47, Key Points of Knowledge Inquiry 47, Comparison 48, Key Points of Object Inquiry 49, Comparison 50, Key Points of Conduct Inquiry 53, Comparison 54 4. Explanations of Tattvartha
59-71 (a) Commentary and Sarvārthasiddhi: 1. Sutra Number 61,