Agam 09 Ang 09 Anuttaropapatik Sutra Stahanakvasi

SR No.: 003449
Original Sutra Author: N/A
Author: Madhukarmuni, Shreechand Surana
Publisher: Agam Prakashan Samiti
Publication Year: 1981
Total Pages: 134
Language: Prakrit, Hindi
Classification: Book_Devnagari, Agam, Canon, Principle, & agam_anuttaropapatikdasha
File Size: 3 MB

Page 51

अनुत्तरौपपातिकदशा तत्थ णं कायंदीए नयरीए भद्दा नामं सत्थवाही परिवसइ अड्डा जाव [ दित्ता वित्ता वित्थिणविउल-भवण-सयणासण-जाणवाहणा बहुधण-जायरूव-रयया आओग-पओग-संपउत्ता विच्छड्डिय-पउरभत्तपाणा बहुदासी-दास-गो-महिस-गवेलग-प्पभूया बहुजणस्स अपरिभूया]।
तीसे णं भद्दाए सत्थवाहीए पुत्ते धण्णे नामं दारए होत्था, अहीण जाव [पंचिंदियसरीरे लक्खणवंजण-गुणोववेए माणुम्माणपमाणपडिपुण्णसुजायसव्वंगसुंदरंगे ससिसोमाकारे कंते पियदंसणे सुरूवे] पंचधाईपरिग्गहिए।तं जहा—खीरधाईए जहा महब्बलो जाव बावत्तरि कलाओ अहीए, तहा धण्णं कुमार अम्मापियरो सातिरेगट्ठवासजायगं चेव गब्भट्ठमे वासे सोहणंसि तिहिकरण-नक्खत्त मुहुत्तंसि कलायरियस्स उवणेन्ति। तते णं से कलायरिए धण्णं कुमारं लेहाइयाओ गणितप्पहाणाओ सउणरुतपजवसाणाओ बावत्तरि कलाओ सुत्तओ अ अत्थओ अकरणओ य सेहावेति, सिक्खावेति।
तं जहा-(१) लेहं (२) गणियं (३) रूवं (४) नट्टे (५) गीयं (६) वाइयं (७) सरगयं (८) पोक्खरगयं (९) समतालं (१०) जूयं (११) जणवायं (१२) पासयं (१३) अट्ठावयं (१४) पोरेकच्चं (१५) दगमट्टियं (१६) अन्नविहिं (१७) पाणविहिं (१८) वत्थविहिं (१९) विलेवणविहिं (२०) सयणविहिं (२१) अजं (२२) पहेलियं (२३) मागहियं (२४) गाहं ( २५) गीइयं (२६) सिलोयं (२७) हिरण्णजुत्तिं (२८) सुवन्नजुत्तिं (२९) चुनजुत्तिं (३०) आभरणविहिं (३१) तरुणीपडिकम्मं (३२) इथिलक्खणं (३३) पुरिसलक्खणं (३४) हयलक्खणं (३५) गयलक्खणं (३६) गोणलक्खणं (३७) कुक्कुडलक्खणं (३८) छत्तलक्खणं (३९) दंडलक्खणं (४०) असिलक्खणं (४१) मणिलक्खणं (४२) कागणिलक्खणं (४३) वत्थुविजं (४४) खंधारमाणं (४५) नगरमाणं (४६) वूहं (४७) पडिवूहं (४८) चारं (४९) पडिचारं (५०) चक्कवूहं (५१) गरुलवूहं (५२) सगडवूहं (५३) जुद्धं (५४) निजुद्धं (५५) जुद्धातिजुद्धं (५६) अठिजुद्धं (५७) मुठिजुद्धं (५८) बाहुजुद्धं (५९) लयाजुद्धं (६०) ईसत्थं (६१) छरुप्पवायं (६२) धणुव्वेयं (६३) हिरन्नपार्ग (६४) सुवन्नपागं (६५) सुत्तखेडं (६६) वट्टखेडं (६७) नालियाखेडं (६८) पत्तच्छेजं (६९) कडगच्छेज्जं (७०) सजीवं (७१) निजीवं (७२) सउणरुअमिति।
तए णं से धण्णे कुमारे बावत्तरिकलापंडिए णवंगसुत्तपडिबोहिए अट्ठारसविहिप्पगारदेसीभासाविसारए गीइरई गंधव्वनट्टकुसले हयजोही गयजोही बाहुजोही बाहुप्पमही अलं भोगसमत्थे साहसिए वियालचारी जाए यावि होत्था।
सुधर्मास्वामी ने उत्तर दिया - जम्बू ! इस प्रकार उस काल और उस समय में काकन्दी नामक एक नगरी थी। वह नगरी ऋद्ध स्तिमित (स्थिर) और समृद्ध थी। वहाँ सहस्राम्रवन नाम का एक उद्यान था, जिसमें समस्त ऋतुओं के फल और फूल सदा रहते थे। उस समय वहाँ जितशत्रु नामक राजा राज्य करता था।
उस काकन्दी नगरी में भद्रा नामक एक सार्थवाही रहती थी। वह धनी तेजस्वी विस्तृत और विपुल भवनों, शय्याओं; आसनों, यानों और वाहनों वाली थी तथा सोना चाँदी आदि धन की बहुलता से युक्त थी। अधमर्णों (ऋण
१.
देखिए वर्ग १, सूत्र १.

Translation AI Generated

Here is the English translation, preserving the Jain terms:

In that place, in the city named Kakanadi, there lived a virtuous caravan leader (sarthavahi) named Bhadra. She was endowed with [extensive and spacious buildings, beds, seats, vehicles and conveyances, abundant wealth, jewels and gems, equipped with requisites and utensils, having discarded cooked food and drinks, with many male and female servants, cows, buffaloes, goats and sheep, respected by many people].

This caravan leader Bhadra had a son named Dhanna, who was [endowed with a five-sensed body, marked with auspicious signs and virtues, perfect in human dignity and stature, beautiful in all his limbs, moon-like in appearance, lovely to behold, handsome] and possessed the five types of attachments.

That is, just as the wet-nurse was extremely powerful up to seventy-two arts, in the same way, the young prince Dhanna was adorned in the womb itself, in the third month of gestation, by the teacher of arts. Then that teacher of arts trains and teaches Dhanna in (1) writing, (2) arithmetic, (3) painting, (4) dancing, (5) singing, (6) instrumental music, (7) archery, (8) swimming, (9) keeping time, (10) gambling, (11) public speaking, (12) magic, (13) eight-limbed (grammar, logic, etc.), (14) poetry, (15) ten types of wrestling, (16) other arts, (17) types of food, (18) types of clothes, (19) types of cosmetics, (20) types of beds, (21) goat, (22) riddles, (23) Magadhi, (24) verses, (25) songs, (26) Siloka, (27) gold-craft, (28) silver-craft, (29) conch-craft, (30) types of ornaments, (31) treatment of young women, (32) characteristics of women, (33) characteristics of men, (34) characteristics of horses, (35) characteristics of elephants, (36) characteristics of cows, (37) characteristics of chickens, (38) characteristics of umbrellas, (39) characteristics of sticks, (40) characteristics of swords, (41) characteristics of gems, (42) characteristics of crows, (43) knowledge of objects, (44) measuring of shoulders, (45) measuring of cities, (46) array, (47) counter-array, (48) march, (49) counter-march, (50) wheel-array, (51) bird-array, (52) chariot-array, (53) war, (54) non-war, (55) super-war, (56) eight-fold war, (57) fist-fight, (58) arm-fight, (59) wrestling, (60) archery, (61) javelin-throwing, (62) bow-shooting, (63) gold-craft, (64) silver-craft, (65) thread-weaving, (66) mat-weaving, (67) reed-weaving, (68) leaf-cutting, (69) knife-cutting, (70) animate, (71) inanimate, (72) listening to music.

Then that prince Dhanna became skilled in the sixty-two arts, well-versed in the nine canonical texts, proficient in various languages, an expert in singing, music, and dance, skilled in horse-riding, elephant-riding, and archery, capable of enjoying pleasures, courageous and adventurous.