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## Introduction
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It is not ancient. We speculate that before Gunabhadra, some other Acharya, similar to Vimalsuri, must have written a Ramayana story in a way that is suitable for Jainism, reliable and independent. This story would have been passed down to Gunabhadra through the Guru Parampara. Gunabhadra's Guru, Jinsen Swami, wrote his Adi Purana based on the prose story of Kavi Parameshwar - 'Kavi Parameshwar Nigadit Gady Katha Matrikam Purodharitam'. And Gunabhadra himself has also sculpted some parts of it. Jinsen Swami has described Kavi Parameshwar or Pavi Parameshthi as the author of the complete Purana called 'Vagarth Sangrah'. Therefore, Muni Suvrat Tirthankar's Cha Sri Gunabhadra must have written it based on the same, which includes the Ramayana story. Chamundaraya has mentioned Kavi Parameshwar.
The point is that the Ramayana stories in Paumachariya and Udhara Purana were created independently and separately, and they have reached us flowing forward. There may also be a difference in the Guru Parampara in these two streams. One tradition adopted one stream and the other adopted the other. In such a situation, Gunabhadra Swami, even though familiar with the Paumachariya stream, may not have followed it because it was not from our Guru Parampara. It is also possible that he found this story better than the plot of Paumachariya.
The Paumachariya was composed in 20 VS. And if Jainism was divided into Digambar and Svetambar sects around 136 VS, as both sects believe, then it must be said that it was from a time when Jainism was undivided. We have not found anything in this text that bears a deep imprint of either sect, from which we can conclude that Vimal Suri belonged to the Anuk sect. Rather, there are some things that go against the Svetambar tradition and some against the Digambar tradition. This suggests that it is a third ideology, between the two.
6. Diversity in other stories
In the 71st Parva, the Bhavantharas of Balaram, Shri Krishna, their eight queens, and Prathman etc. are described. Here, some differences in names, plots etc. are found from Jinsen [Second]'s Harivansh Purana. Similarly, the 75th Parva describes the life of Jeevandhar Swami, but there is a lot of diversity in the plot compared to the Gady Chintamani or Kshatrachudamani written by Acharya Badimasingh. There is diversity in names etc., but there is also diversity in their character portrayal. The reason for this could be that the Vadi Mahine refined the mythological plot to fit into the framework of Kamya. They may have left out the initial chapters. But it is not clear how the difference in names of characters etc. came about.
7. The size of the Mahapurana
What is the size of this Mahapurana text in terms of the number of Anushtup verses? Two mentions are found about this - one is that Gunabhadracharya himself has mentioned 20,000 verses at the end of the text, and the other is that 24,000 verses are mentioned in the same verse reading. Looking at these two mentions, it seems appropriate to decide this once. As a result, the verses of the Mahapurana Part 1 and 2 and Uttar Purana are decided by the following method:
8. The size of Adi Purana Part 1 and 2
Chanda Name | Verse Number | Akshar
------- | -------- | --------
Anushtup | 10412432 | 333184
Harini | 16468 | 1088
Malini | 106460 | 6360