________________ * LXXI LXXII Brahma-Pitaka (Burmese literature, art and archaeology) Kambuja-Campadi-Pitaka (Cambodge, Thailand, Laos, Tonkin) Indonesia, Malay and Philippines LXXIII Dripantara-Mantragama-Pitaka (1. Veda- (a) in Bali works so named (b) Mantra (c) Kalpasastras (Ritualia) 2. Agama-(a) Palaksta (law and precopts) (b) Sagana (life conduot) (c) Niti (manuals for princes) ] Dripantara-Jyautina-kavyadi-pitaka (3. Wariga- (a) Wariga (Astro. logy) (b) Tutur (Cosmology, allegory, mysticism) (c) Kanda (Gram. mar, metrics, mythology) 4. Itihasa (Epic works)-- (a) Parwa (b) Kakawin (kavyas in Indian metres) (c) Kidung (kavyas in Indonesian metres) (a) Gaguritan (kavyas in New Balinese) ] LXXV Dvipantara-Aitihya-Tantra-Pitaka 15. Babad (histories) (a) Paman. cangah (family histories) (b) Historical accounts (such as Panraraton, Panji Vijayakrama etc.) (c) Ruins of Empires 6. Tantri-(a) Animal fables of Indian origin (b) Animal fables of native origin ] LXXVI Dvipantara-Puravasesa-Pitaka (archaeological remains) As the texts contained in single Pitakas are of different length and as the preparatory work requires in each case a different space of time, the whole will be divided into 'groups'. These groups are to be considered as 'working units' and will form the basis of the practical accomplishment of the gigantic work of the Satapitaka. Wherever possible each group will work independently of others. 12
