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TRANSLATION
[ 33 by the movements of the) ocean and a citizen. The thirteenth type wes called as Nandāchampā and displayed by the actions of the creepers, Nandā and Champa. The fourteenth type termed as Matsyanda-makarānda, Jāra, and Māra, and represented by the formation of groups resembling these various precious stones. Then the fifteenth type, called as Kakāra, Khakāra, Gakāra, Ghakāra, and Nakāra, and represented by the formations of groups like these various letters. Similarly the sixteenth was Chakāra, the Seventeenth Takāra, and the eighteenth takāra, and the nineteenth Pakāra, The twentieth was named the Pallava type and was represented by the Asoka sprouts, mango sprouts, Jāmbula sprouts, and Kausāmba sprouts. The twenty-first was named as Latālată type and represented by lotus-creepers...upto.. Syāmā creepers.
[ Page 113 3. The twenty-second was named Druta ; the twenty-third was named Vilambita and the twentyfourth as Druta-vilambita. The twenty-fifth was Anchita, twenty-sixth Ribhita, twenty-seventh Anchita-ribhita, twenty-eighth Arabhața, twenty-ninth Bbasola, thirtieth Arabhața-bhasola. Then the thirty-first type, called as Bhräntasambhrānta and formed by bowing down, and produced by jumping up and down, by contracting and by stretching. Then those gods and goddesses gathered together at one and the same time...upto...a celestial festivity was started. Then those numerous gods and goddesses displayed the thirty-second type of dance named as Charamacharitanibadha (i, e. pertaining to the history of the Last Incarnation of the Lord). which dealt with the history of his former birth. ( the history of his life as a God), the history of his fall (from
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Shree Sudharmaswami Gyanbhandar-Umara, Surat
www.umaragyanbhandar.com
