Questions of King Milinda Part 01

Author(s): T W Rhys Davids
Publisher: Oxford

Page 51

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THE QUESTIONS OF KING MILINDA.
This list might be considerably extended if words were included which differ from those used in the Pitakas only by the addition of well-known suffixes or prefixes-such, for instance, as viparivattati, at p. 117, only found as yet elsewhere in the Tela Katâha Gâthâ, verse 37. But such words are really only a further utilisation of the existing resources of the language, and would afford little or no ground for argument as to the time and place at which our author wrote. I have thought it best, therefore, to omit them, at least at present.
If we turn from isolated words to the evidence of style it will be acknowledged by every reader that the Milinda has a marked style of its own, different alike from the formal exactness of most of the Pitaka texts, and from the later manner of any other Pâli or Sanskrit-Buddhist authors as yet published. It is no doubt the charm of its style which has been one of the principal reasons for the great popularity of the book. Even a reader who takes no interest in the points that are raised, or in the method in which the questions are discussed, will be able, I trust, to see, even through the dark veil of a lame and wooden translation, what the merits of the original must be. And to a devout Buddhist, in whose eyes the book he was reading offered a correct solution of the most serious difficulties in religion, of the deepest problems of life,-to whose whole intellectual training and sympathies the way in which the puzzles are put, and solved, so exactly appealed,-to such a reader both the easy grace of the opening dialogue, as of a ship sailing in calm waters, and the real eloquence of occasional passages, more especially of the perorations by which the solutions are sometimes closed, must have been a continual feast. I venture to think that the 'Questions of Milinda' is undoubtedly the master-piece of Indian prose; and indeed is the best book of its class, from a literary point of view, that had then been produced in any country. Limits of space prevent the discussion of this last proposition, however interesting: and it would be, no doubt, difficult to prove that anything from India was better than the corresponding thing produced by our noble selves, or by those
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