Profile of Parul

Author(s): Pratap J Tolia
Publisher: Vardhaman Bharati International Foundation

Page 18

: At Bangalore, we were able to provide and put her with better dance teachers and Bharatnatyam exponents like Smt. Leela Ramanathan and others and she went on picking up all the steps and all the lessons very fast. Since then a number of cultural dance performances she presented.
Stage fear was naturally not known to her but what was more important was total absence of craving for STAGE PUBLICITY and SELF-EGOISTIC ATTITUDE. Unassuming and Egoless Parul had never from tiny childhood to grown up age,' shown any sign of her Artistic expositions which might be having a brand of Ego. She had never known this. On the contrary, her dance or vocal expositions were entirely egoless expressions born of Divine visions in which the total Ego of one vanishes. In 'Rajul' and 'Flowers" and a number of her Dance performances, we realized that her entirely egoless, innocent and Divine expressions had made the audiences at several times to forget and get themselves free from their EGOISTIC EXISTENCE ! This self-fulfillment-born and self-realization providing achievement of this little, gentle, unasuming artist was not a common one, it was greatly rare like her rare fingers !!
: CHILDHOOD REVELATIONS OF PREVIOUS BIRTH
The spontaneous expressions of the egoless self which came out through her rare fingers and thoughtful head, had their roots in her previous births. This was evident from her extra ordinary expositions at the very tiny age. After the Hyderabad episode of her spontaneous dance, there were several incidents of her quick progress in her dance and music which we noticed during our further stay in Gujarat at Ahmedabad while serving as the Principal of National College over there and also at Sharadagram as the Editor of its publishing section.