Jain Spirit 2005 09 No23

Author(s): Jain Spirit UK
Publisher: UK Young Jains

Page 55

ART & LITERATURE
translation into fabric is a prime concern. Through material investigation and her own experimental techniques, Deepa allows the structure to evolve through a series of stages, making the fabric and form equally expressive.
Her aim has always been to create beautiful yet interesting forms of work. Each unique piece is double-sided and therefore can be viewed from any and every perspective. The transparency of the fabrics allow the interior formation to be revealed, creating an engaging relationship between the exterior and interior surfaces. She intentionally uses a limited range of subtle colours that create shadows on the surface, adding to the linear motion and enhancing the structure.
- consisting of a labyrinthine formation in the interior that mesmerise the viewers. Some people come and lay down for hours, escaping their reality. Her smaller suspended forms float above, yet when worn as headwear the aptly named 'snoods' act as a shield and enclose the wearer. The snoods explore the concept of comfort and isolation, protecting the wearer from the outside world. As a collection, a combination of rhythmic structures with subtle colours, Deepa's work radiates a natural quality that is calming and relaxing.
Deepa feels it is important for all people to engage in some form of creative activity. "It allows the mind to breathe and the soul to express itself." Recently Deepa spent three months in India volunteering at Veerayatan Vidyapeeth in Jakhania, Kutch, where she ran arts and craft workshops for children. The children had a strict schedule in which their typical day consisted of school, tuition and homework. Therefore the arts and craft activities in the evenings were extremely beneficial.
"It was
Shells have been her main source of inspiration. Elements of the shells' textures, tones and structures are explored where the
Deepa's exhibitions and installations present an intriguing environment of suspended structures that fully engage the viewer. "I want people to interact with my work through visual experience and explore the tactile qualities." Visitors are drawn to the soft flowing qualities of the 'Box Pocket' hangings, and are compelled to feel inside the 800-900 tiny-pocketed constructions. Deepa encourages viewers to lie down and experience her art works from all perspectives. The "Hollow Towers' are especially intriguing
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photo: 'Snood' Tony Ingram Jain Education Interational
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