Book Title: Jain Journal 2000 01 Author(s): Jain Bhawan Publication Publisher: Jain Bhawan PublicationPage 46
________________ JAIN JOURNAL: Vol-XXXIV, No. 3 January 2000 and it came to be mainly restricted to certain pockets such as the Tuluva country, dominated by the Digambara order. But the fact remains that the Hoysalas very liberally patronised Jaina art and architecture introducing innovations. They are unrivalled in their sculptural craftsmanship. Hoysala sculptor and stone mason reached its peak of perfection in exhausting the beauty of sculpture in stone and the supreme craftmanship of the time. Jaina shrines at Belagola, Halebidu and Nittur representing the Hoysala style of architecture are a feast for the eye. 158 Bibliography Coelho, William : The Hoysala Vamsa: Bombay, 1950 Derrett, J.P.M.: The Hoysalas, A Medieval Indian Royal Family, London, 1957 Desai, P.B. (ed): A History of Karnataka, Dharwad (1970) 1981 Dhaky, M.A. and Michael W. Meister: Encyclopaedia of Indian Temple Architecture, South India, Vol. I, Plate-II, 1986. Ghosh, A. (ed): Jaina Art and Architecture, Vol. II. Kellesson Collyer: The Hoysala Artists, their identity and styles, Mysore, 1990 Gerard Foekema Hoysala Architecture-Medieval Temples of Southern Karnataka built during Hoysala Rule, Vol. I (text), II (plates), 1994 Maity, S.K: Masterpieces of Hoysala Art, 1978 The Later Gangas: Mandali Thousand, Bangalore, Nagarajaiah, Hampa : 1999. Nagarajaih Hampa Jina Pārsva Temples in Karnataka, Hombuja 1999. Settar, S: The Hoysala Temples, 1952 Yazdani, Ghulam, (ed): The Early History of the Deccan, Parts VIII-XI (1960) 1982 Jain Education International For Private & Personal Use Only www.jainelibrary.orgPage Navigation
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