Jain Journal 1996 01

Author(s): Jain Bhawan Publication
Publisher: Jain Bhawan Publication

Page 15

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virarasa as its chief sentiment. Punyakuśala's expertise in depicting the Heroic sentiment in tune with the genius of the poem is as unquestioned as that of Magha. While the supremacy of the virarasa in the BBM is beyond dispute, Śṛngāra in both its aspects has been depicted evidently in imitation of Magha, with such a tenacity that not unoften it threatens to overwhelm, if not eclipse, the predominant sentiment. While going through the middle part of the poem, one cannot escape the impression that it is basically an erotic work. And the Śṛngāra as depicted by Punyakuśala is, not unlike in Māgha sensuous and volptuous for the most. It may create momentary excitement, but it fails to leave lasting impression on the reader. Punyakusala is a master of the art of love rather than an expert in dealing with the Rasarāja in its sweep and depth. And there too he concurs with his mentor, Magha.
JAIN JOURNAL: Vol-XXX, No. 3. January 1996
While 'war' forms the central issue in both the poems, they differ widely in their culmination. The Śisupālavadha closes at its natural end-the assassination of Sisupäla: in the BBM. the war undergoes sublimation. Though treading different paths, both Bharata and Bahubali taste the bliss of kaivalya, which represents the fulfilment of human life in the Jainistic tradition.
Despite heavy indebtedness, Punyakusala has no fascination for Magha's artificial style, flamboyant phraseology, excessive ornateness and the despicable citrakāvya. His objective might have deterred him from these frustrating gimmicks.
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