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TAPASVI NANDI
SAMBODHI
(Trans. K. Kris. pp. 348-349, ibid) “By words without elision of the final aspirates and in euphonic combination with each other, and by syllables, which precede conjuncts, 'grace' is enriched.” (I. 47)
In the brilliant style, the quality of 'grace' gets enriched by the use of the following : words which mutually coalesce in harmonious combination; which contain final aspirate sounds without elision, i.e. with fully intonated aspirates at the end, and with short syllables preceding conjunct consonants. The idea is that besides the features already noted of 'grace under the elegant, these new additions will enrich it in the 'brilliant
"Aucitya' and 'saubhāgya' go with all the margas. 'Saubhāgya' is defined at V. J. I. 55 as - (pp. 69, ibid)
"evam aucityam abhidhāya saubhāgyam abhidhatte
'ityupādeya-varge'smin yad artham pratibhā kaveh, samyak samrabhate tasya
gunaḥ saubhāgyam ucyate." - (I. 55) - ityevamvidhe asmin upādeyavarge sabdādyupeya-samūhe yad artham, yannimittam kaveh sambandhini pratibhāśaktih samyak, savadhānatayā samrabhate, vyavasyati, tasya vastunah prastutatvāt kāvyābhidhānasya yo gunah sa saubhāgyam iti ucyate bhanyate.
tacca na pratibhā-samrambha-mātra-sādhyam, kintu tad-vihita-samastasāmagri-sampādyam, iti āha -
"sarva-sampat-parispand
sampadyam sarasātmanām,
alaukika-camatkāra-käri
kāvyaika-jīvitam." - (1. 56) sarva-sampat-parispanda-sampādyam sarvasyopādeyarāśer yā sampattir anavadyatā-kāsthā tasyāh parispandah sphuritatvam tena sampadyam nispādaniyam.
anyacca kīdņśam ? sarasātmanām ārdracetasām alaukika-camatkāra-kāri, lokottarāhlāda-vidhāyi. kim bahunā ?, tacca kāvyaika-jīvitam, kāvyasya parah
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