Sambodhi 1998 Vol 21

SR No.: 520771
Original Sutra Author: N/A
Author: J B Shah, N M Kansara
Publisher: L D Indology Ahmedabad
Publication Year: 1998
Total Pages: 196
Language: English, Sanskrit, Prakrit, Gujarati
Classification: Magazine, India_Sambodhi, & India
File Size: 17 MB

Page 16

Vol. XXI, 1997
KUMĀRASAMBHAVA AS CRITICALLY EXAMINED BY....
11
through allen i.e. easy, natural expression, without any artificiality, K., however, calls this F alfo also to be a shifth or graceful, artistic expression and places it under. 454R 4rf. (6) 76424474. (Ku. Saṁ. xxx 3/33) V. J. 1/31. When the suggested meaning is arrived at without any trouble, i.e. artificiality, the meaning as it were flashes immediately . अक्लेशव्यञ्जिताकृतं झगित्यर्थसमर्पणम Here there is absence of compounded words. The face of the beauty is enhanced by drops of perspiration which steal the beauty of pearls. This verse for K. illustrates WHICTY. (7) Arhieltaa. (Ku. Sam. 3/7). V. J. 1/57 :This is where K. gets upset with the poet. This expression on the part of Kamadeva is not in good taste according to K. Thus the poem, through impropriety, looks like a piece of cloth burnt in corners ! - Gereçue - Obviously K. also, like Ananda, does not spare Kālidāsa, at times. (8) 40 a UfT. (Ku. Sam. 8/11). V. J. 2/16 :Under V. J. 2/16 where K. discusses how something is covered up - Fata a. - This verse is quoted. By the terms of coif' a world of suggestivity is conveyed in this verse. The gestures are all concealed beautifully this is the third variety of fafal for K. (9) farfarhift. (Ku. Sam. 5/83). V. J. 2/16 :Under 2/16 V. J. in the same context as above viz. Hard arg. etc. K. quotes this to illustrate the sixth variety of Hafaa . Here denouncing of lord Siva is not a welcome thing and so, it is conveyed beautifully through concealment. When a theme is not worthy of description - 3706ditu - such an artful expression comes in as an instance of संवृतिवक्रता. (10) ff THC6477fa. (Ku. Sam. 3/33). V. J. 2/24 :Under V. J.2/24, ahografiri. etc. This verse is quoted. f40fa 1470 aanta enhances the beauty in describing the kissing of Pārvati by Lord Siva. The poetic beauty lies in the description of the act. (11) ai ugye (Ku. Sam.7/13). V. J.3/1 :K. explains description through “beauty by excellent activity : '3arka4f244 GTA qufth The poet here wants to describe that natural beauty and this description