Glimpse into Sanskrit and Other Forms of Drama in Medieval Gujarat

SR No.: 269007
Original Sutra Author: N/A
Author: Govardhan Panchal
Publisher: Z_Nirgrantha_1_022701.pdf and Nirgrantha_2_022702.pdf and Nirgrantha_3_022703.pdf
Publication Year: 1995
Total Pages: 22
Language: English
Classification: Article & Literature
File Size: 799 KB

Page 19

Vol. 1-1995
A Glimpse into the....
Notes and References : 1. Cf. the Prabandhacintā mani or The "Wishing Scone of Narratives, composed by Ācārya
Merutunga, translated by C. H. Tawny, Asiatic Society, Calcutta 1899, pp.106-107. 2. નીલાંજના શાહ, “ચલપત્રમહાપુરિસચરિયાન્તર્ગત “વિબુધાનન્દ નાટક' પર એક નજ૨, ફાર્બસ ગુજરાતી સભા સૈમાસિક,
145, MLZ 9682. Cf. Mallikamakarandanataka by Rāmacandra, Ed. Muni Punyavijayaji and "Introduction", Notes, etc. by V. M. Kulkarni. L. D. Institute of Indology Series, (No.) 91, Ahmedabad 1983. p.25. Rādha Vallabh Tripathi, translation in Hindi, Narya Sankrit Parishad Publication. Nilanjana S. Shah, A Note on ut of the play afect. (Personal Note · 1993). ve Gifgutan, Teuf, el 4 SLIHUE HOU, 6494212 So Hoteze. प्रबुद्धरौहिणेय and मलिकामकरन्द - हिन्दी अनुवादः राधा वल्लभ त्रिपाठी, संस्कृत परिषद्, सागर विश्वविद्यालय, सागर (म.प्र.) 3863. Par Farha Rufa: Nātyaśāstra, G.O.S. Vol. 2, Baroda, p. 248 Ullāgha-Rāghava Nāțakam by Someśvaradeva. Ed. Muni Punyavijayaji and B. J. Sandesara, Oriental Institute, Baroda 1961. Ibid., Act 7, p. 136. Carla (a$ 4, 2-1 : Slagllas 247 nits 216147, 248 25187, HELQLE 8868. p.52. There is some controversy regarding these Chāyānāțakas which need detailed discussion. See Carla lasu 42, "2142uulon10944141128 24091461124", uu , 244614E HC
2. reco, 4 €2-02. 46145:14 17:, in afat %. 231," 210 i sized 1429", Stela , (Gujarāti); 4. 40-90, 431€R! 9684. Y. 28, 30, 39. A. M. Upadhyaya, Kavyānuśasana of Acārya Hemacandra-A Critical Study, Ahmedabad 1987. pp. 421-424. These rasas are : Dombikā, Bhāna, Prasthāra, Singaka, Bhanika, Purana, Ramakrīdā, Hallisaka, Rāsaka, Gosthi, śūgadita, and Rāgakávya, See Govardhan Panchal, Bhavai and Its Typical Aharya-Costumes, Make-up, props of the Popular Dramatic Form of Gujarat, Ahmedabad 1983. Usha Bhise, "The Technique of Medieval Sanskrit Drama," Journal of The National Centre for the Performing Arts, Bombay Vol. VIII, No. 4, December 1979. Trišastišalākāpuruşacarita of Acārya Hemacandra. Translated by Helen M. Johnson, Oriental Institute, Baroda 1949; also, feriferici r afa, fed 91214, 21HELLE (a.i. 2080 (S. Ho 964X); and that by Jainendra Prasäraka Sabhä, Bhavnagar 19 ?. For the numerous technical dramatic terms in this passage, see the works on dramaturgy, the Natyaśāstra, the Bhävaprakaśa, the Dasarūpaka, and Keith's The Sanskrit Drama.