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oc छन्दोऽनुशासनम्।
[III. 188 to 188 TEA 3 5 (4, 5, 5, 4 x 4, 5) H. 4. 41. 189 Best 35 (5x7) H. 4. 83; Kd. 2. 22. com, 189A FACA 37 (4x8, 5) Jns. 5. 58. 190 reol 38 (6, 4 x 7, 2, s H. 4, 34; SbP. 2. 2. 191 gata 40 (5 x 8) H. 4. 83; Kd. 2. 22 com. 192 HPATET 40 (2, 4 x 9, s; prato avoided) Pp. 1. 205. 1924 a 41 (4 x 9, 5) Jns. 5. 58. 193 gratare 45 (5 x 9) H. 4. 83; Kd. 2. 22 com. 193AR 45 (4x10,5) Jns. 5. 58. 194 HET TOT 46 (6, 4 x 10) H. 4. 33. 195 efter 30 47 (55, 63 etc.) H. 4. 90; R. 4: SbP. 4. 3. 1. 196 Alstaf. 49 (4 x 11,5) Vjs. 4. 39; great Jns. 5. 58. 197 HT 53 (4x12, 5) Jns. 5. 58. 198 faqazileti 54 (62, 70 etc.) H. 4. 91; R. 5; SbP. 4. 4.
29. III. 194: In Mālā Galitaka the Caturmātras in odd places must not be Jaganas, but those in the even places must either be Jaganas or contain all short letters.
30. III, 195: When in the first half of a Gātha (II. 9) any even number of Caturmätras is added before the final long letter, and when this long letter is substituted by a Trimātra, it becomes the line of the Sama Sirşaka. Among these added Caturmätras those in the even places except the last one, must either be Jaganas or contain all short letters. The last Caturmātra in the even place which is also the penultimate Caturmātra in the line, must not be a Jagana or a Sarvalaghu.
31. III. 198: When any odd number of pairs of Caturmätras is added at the end of each line in Mālā Galitaka (III. 194), observing the same rule about their employment as in that metre, it becomes & Vişama Sirsaka,
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