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छन्दोऽनुशासनम् ।
145 समगलितक 25 ( 4, 5, 5, 4, 4, 3 ) H. 4. 31. 146 नलिनी 25 (4, 5, 5, 3, 4, IS) Vjs. 4. 99. 147 विच्छित्ति गलितक 25 (5, 4, 5, 4, 5, 2 ) H 4. 43. 148 कुसुमिता 25 (4, 3, 3, 4, 4, 4, 3) H. 4. 63. 149 मधुकरी 150 मेघा 151 af
25 (5x5) H. 4. 83; Kd. 2. 22 com.
25 (4 x 5, ISS) Vjs. 3. 31.
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25 (4x5, 5) H. 4. 77; Jns. 5. 52-53; Kd. 2. 22 com.; Vjs. 4. 24.
25 (4, 18, 18) Pp. 1. 149.
25 or 26 Vjs. 3. 40.
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152 गगनाङ्ग 1524 चित्रा 153 मुग्धिका" 154 चित्रलेखा
21
154A भद्रा 155 कामलेखा"
27 (6, 4 x 4, 3, s) H. 4. 67; SbP. 3. 4.
27 (5, 5, 4x 3, 5) H. 4. 80; SbP. 3. 10.
156 मल्लिका 157 मालती 1574 किसलयमाला 27 (4x5, 181, 18) As. 19.
27 (4x 5, 5, 8) Vjs. 3. 35.
158 द्विपदी"
26 (4 x 3, 5, 4, 5) H. 4. 78.
26 (5, 4x4, 5) H. 4. 79; SbP. 3. 9; afer Jns. 5. 56.
26 or 27 Vjs. 3. 42.
Jain Education International
159 गीत 160 रचिता I 161 रचिता " II (or रतिका) 28- द्विपरी H. 4. 65.
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162 कोदुम्भक 163 दीपिका 164 लक्ष्मिका
[ III, 145 to
28 (6, 4 x 5, s) Ck. 35; H. 4. 64; Kd. 2. 24; N. 78-79; Pp. 1. 152-153.
28 (5, 6, 5 x 3, s) Ck. 18; affa Pp. 1. 191. 28 (4, 5, 5,,,, s) Vjs. 3. 25.
28 ( or ss, 7, 5, A, A, A, s) Vjs. 4. 53.
28 (5, 5, 4, 5, 4,5) H. 4. 81; SbP. 3. 11.
28 (mix. of lines of 25-28 Mäträs) H. 4. 82; SbP. 3. 12.
19. III. 151: In Adhikakṣara, out of the 5 Caturmatras, the 2nd and the 4th must never be a Jagana.
20. III. 152: In Gagananga a line contains 25 Mātrās spread over 20 letters. The 1st must be a Caturmatra group of any kind; then follow 18 Matras followed by a short and a long letter at the end. The restriction about letters means that the line must have 5 long and 15 short letters of which I short and 1 long must be at the end and a long letter must not be used so as to combine the 4th and the 5th Mātrās.
21. III. 153: Mugdhika is identical with Adhikākṣarā, but with 1 Mātrā added
after the 16th.
22. III. 155; 158: Kamalekha is identical with Dvipadi, but has 1 Mātrā less in the last Caturmatra. In a Dvipadi, the 1st and the last of the 5 Caturmatras must either be Jaganas or contain all short letters.
23. III. 161: Racita II is identical with Dvipadi (III. 158); but the 1st Caturmatra in it must contain all short letters. The Yati in Racita is after the 7th letter, while there is no definite Yati in Dvipadi.
24. III. 164: A stanza made of mixed lines of Adhikākṣarā, Mugdhikā, Citralekhā, Mallika and Dipika (III. 151, 153, 154, 156, 163) is the stanza in the Lakṣmikā metre.
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