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Ravagh: Covered spaces that are set around the mosque's overskirt or Mian sara. The passage of such spaces is towards the overskirt and associates the mosque's entrance to the Shabestan or the vault.
Dome: A dome covering has various qualities in Islamic Architecture and has had more capacities that some other covering.
Stellar Shabestan: They don't have much stature and are typically set around the domes. These Shabestans are planned in a way that they could be extended or made littler by including or evacuating sections.
Minaret: Minaret or Minar implies the place of light, and is utilized to allude to high structures that were normally set near religious structures, for example, mosques (Kiyani 2007). Prior to the development of Islam, minarets were worked between the urban areas and fires were lit upon at that point, and they were called guiding towers. Later on, that Islam turned into the prevailing religion, minarets were assembled wonderfully and a Mazene was put over it (Al-Naghsh, 2001, p. 45).
Passage: In Iranian Architecture, the section propylaeum and the finials were one of the most unmistakable and fundamental visual components. In such structures, the endeavor was that the section be additionally striking in appearance contrasted with others around. The withdrawal in the entryway of the mosques welcomes individuals in and invites them.
In the eighth century, in the great mosque of Damascus, the minaret had become a cornerstone of Muslim religious Architecture. The Islamic Architecture could be linked to the components of the scheme that are accompanied:
Large domes
Minarets or towers (in the eighth century, in the great mosque of Damascus, the minaret had become a fundamental component of Muslim religious Architecture)
Large courtyards they often converged with a corridor of focal attraction
Use of geometric and monotonous craftsmanship (Arabesque)
Wide use of animated Arabic calligraphy
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