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5.4 THE LAYOUT OF JAIN TEMPLE
For the most part, courses lead to a movement of fragmentary charges in the central part of the temple. These segments, which remain for no apparent reason, can impact the site to look like a maze negligence; however, after careful consideration, it closes in a recognizable way. It is obvious that there is a style and a system in it.
► The paths of the Jain temples lead to a movement of chambers segmented
in the central vestibules of the temples. > These temples inside a shelter, divided into sanctuaries and included by a
number of places of supplication and sacred places, and the labyrinth of segments develops as a defense against looters.
The dedication of the Jains to work and Architecture was incredibly basic in the context of the incredible creative signs, particularly in the types of paintings, temples and pieces, scattered throughout the country and covering a period of time in the sense of the most provocative through the times avant-garde. Jain's craftsmanship with an inexhaustible assortment changes progressions and embellishments (despite the images of Jin) has never been boring. Moreover, the advancement of the Indus Valley is the fastest human progression in India. Figures of a seals and male torso of Mohen-Jo-Daro are opinion pictures of Jin ideals of their nudity and position in kayotsarga-mudra.
Jain's craftsmanship and composition thrived with great energy between the 10th and 15th centuries. In the period, a large number of Jain temples were constructed with sculptures. In the middle period new structures and the iconographic characteristics (with the exception of Jin) of various deities were established. The parikara (environment) of the Jina images was also realized with the figurative representations of Navagrahas, Sarasvati, Laksmi and the minor figure of Jin. Furthermore, the Astapratiharya and Yaksa-yaksi installed have been cut in the same way. Precision and bending in statues and ornaments were other specific features of medieval Jain models.
The craftsmanship and Architecture of the Jain have the vital objective of maintaining, guaranteeing and cultivating in an integral way.
The Jains could be happy for their rich social heritage from the most tried and true conditions. He has a religious presentation in his art in mixed forms. Being
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| SR No. | 034443 |
| Book Title | Critical Analysis of Jain Architecture in Bihar Region and its Influence on Regional Architecture |
| Original Sutra Author | N/A |
| Author | Ravish Kumar |
| Publisher | Department of Architecture National Institute of Technology Patna |
| Publication Year | 2018 |
| Total Pages | 359 |
| Language | English |
| Classification | Book_English |
| File Size | 31 MB |