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Especially in the last hundred years, the pyramids of samosaran are equally appreciated within the central points of the cult temples. In these illustrations, photos on top of the structures are small, which emerges from the enormous amazing addressing rooms, which have been represented with great interest and aim to present the fundamental part of the strategy. In this way, the inclination is created that in recent cases works of Architecture and without figurative statues show the basic grouping of the cult. This confers a general bias of Jain's work to show interest in reliably expanding. It focusing on extravagant and cosmological points, which are excellent for Jainism and give clear motivations behind the partition of various religious social events in the subcontinent.
Hypothetical messages on Architecture
It is pleasant to note that in all additional high beam span; the structure at the top of the structure is occasionally entangled, obscuring the various images inside. In these cases, it seems, inside and out, to be legitimately kevalajnana part "the achievement of enlightenment" in general that ultimately is the purpose of each Jain. In contrast to the design of the first preaching recorded in a specific tirthankar that is symbolized.
While the samosaran in the southwestern temple complex constructed in the Papora, Madhya Pradesh, is particularly associated with the first speech delivered by Lord Sri Parsvanatha. Three samosaran in the northeast temple district, regardless of the unreasonably should be overcome by specific images of Jin are, as it were, revered as images of kevalajnana in general terms.
Pawapuri's case is particularly huge, because it is recognized to verify the place in good faith in which the irrefutable Lord Sri Mahavira delivered his first sermon. One of the best representations of this kind was delivered to Palitana, at the base of Satrujaya. Despite the fact that the most humble samosaran are generally solid, filling and fantastic patterns and allowing visitors to climb the structures, the second representation is a "real" in its interpretation of an inner space is enclosed. In this specific form, it has not been related to various religious and social issues in the broader Asia or outside the territory.
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