Page Text
________________
The Jains could be satisfied with their rich social heritage by the most specific circumstances. He has a religious introduction to his art in modified structures. Being overwhelmingly idolatrous, they have an iconography and an art of making extraordinary symbols. which could make various symbols of various sizes, materials (wood, stone, metal, marble, etc.) and postures (lying or standing). They could cut the stone symbols on the side. The sum total of the symbols that have been made by weighting measures appealing faces of the Jin who transmit the possibility of a productive moment of everyday life.
There are numerous credential idols in the world, one of them is Bahubali in Shravanbelgola in Karnataka (983 AD), and Lord Rishabhdev in the state of Madhya Pradesh require a remarkable opinion for its size and height. The symbols are worshiped simply after the sanctification function continues for seven days with great glory and spectacle. This service has an expansive repetition for the last quarter of this century. The Jain symbols were discovered as early as 400 BC in various parts of India. In general there are several symbols. Seeing theses several different symbols in each exhibition hall, one can judge the improvement of the iconography with respect to the material and the excellence with the style. Palitana is extraordinarily in contrast to another place for a variety of idols. Impressions are also a distinctive part of Jain art that has an impact on a point to be taken. The stamped and venerated images were also made as an evident and subsequent proof.
Many temples have the art of appalling nature, for example in Khajuraho, Deogarh, Mount Abu, Ranakpur, and so on. Temples everywhere have a glorious story before them, for example, in Hastinapur, Mathura etc. Numerous temples have separated pillars called pillars of vanity control again a strong point of the Jains in the religious Architecture (Schubring, 1962, p. 330).
The magnificent Architecture and the Jain model can also be found in the caves carved into the rock of Mathura, Bundelkhand, Madhya Pradesh and Odisha. Several caves carved into the rock are located in Udaigiri and Khandagiri, twin hills in the Bhubaneswar district of Odisha and Ellora in Maharashtra.
95
| SR No. | 034443 |
| Book Title | Critical Analysis of Jain Architecture in Bihar Region and its Influence on Regional Architecture |
| Original Sutra Author | N/A |
| Author | Ravish Kumar |
| Publisher | Department of Architecture National Institute of Technology Patna |
| Publication Year | 2018 |
| Total Pages | 359 |
| Language | English |
| Classification | Book_English |
| File Size | 31 MB |