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18
Literary and Performing Arts
Svayambhū says at Svayambhūcchandas, 8, 26 that Rāsābandha
is like an elixir in the Goșthis. 10. Sarasvatikanthābharana, 2, 133-137. See also, Raghavan, Bhoja's
Srigāraprakāsa, 1963, pp. 354, 368-9. 11. Upadhye, Kuvalayamālā, Part 2, Introduction, p. 48-49;
Notes, p. 147. 12. So to be read for the textual vudha. Upadhye has suggested
this doubtfully, but it is clear from Rudrața, Bhoja and
Hemacandra. 13. Some are quite new, not mentioned in any standard Alam
kāra work. 14. Upadhye, Kuvalayamālā, Part 2, Notes, p. 147. 15. I am grateful to my friend Dr. N. M. Kansara for drawing
my attention to this important passage. 16. Upadhye, Kuvalayamala, part 2, Introduction, p. 76; also
'Chappannayagahao', p. 388. 17. गोसे च्चिय हलियवहू पढम चिय णिग्गया घरद्दार ।
दहु कलबकुसुम दुहिया रोत्तु समाढत्ता ॥ Sk. chaya : प्रभात एव हालिकवधूः प्रथममेव निर्गता गृहद्वारम् ।
दृष्ट्वा कदम्बकुसुम दुःखिता रोदितु समारब्धा ॥ The two Gāthās of Bhaťțendurāja are as follows :
लघिअगअणा फलहीलआओ होंतु त्ति वतीअ । हलिअस्स आसिस पाडिवेसवहुआ वि णिविआ ॥ गोलाकच्छकुडगे भरेण जौंबूसु पच्चमाणासु । हलिअवहुआ णिय सइ जबूरसरत्त सिअ॥
(Locana on Dhvanyāloka, 3, 42) 18. 'Chappannaya-gāhāo', p. 389. 19. सुरुणाई अक्खराई णाणाछ देषु जत्थ बज्झति । हिअए वि वसइ अत्थो हिआलिआ भण्णए एसा ॥
(Svayambhūcchandas, 4, 15)
