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________________ *The Tarānā Mode of Singing 99 To conclude, the evidence presented here shows that the Tarānā is unquestionably of indigenous origin and throughout the long history of our Classical music, it has been a current and well-known mode of singing. References Matanga, Běhaddesi, ed. by K. Sambasiva Sastri, Trivandrum Sanskrit Series No. 94. Someśvara, Manasollāsa, ed. by G. R. Shrigondekar, GOS. No. 138, 1961. Śārngadeva, Samgitaratnākara, II, ed. Subrabmanya Sastri and V. Krishnamācārya, Adyar Library Series No. 43, 1959. M. Ramakrishna. Kavi, Bharatakośa, Venkateśvara Oriental Series No. 30, 1951. Subhankara, Sangitadāmodara, ed. by G. N. Sastri and G. G. Mukhopadhyaya, Calcutta Sanskrit College Research Series No. 11, 1960. Koneśvara, Vikramorvasi-toțaka-Viveka, ed. by H. D. Velanker (under the title 'Vikramorvasiya-Koneśvari'), Annals (B. O. R. Institute), 38, 3-4, 256-298, 1958. Kālidāsa, Vikramorvasiya, ed. by H. D. Velankar, 1961. Svayam bhūdeva, Paumacariya, ed. by H. C. Bhayani, Singhi Jain Series No. 34, 36, 1953, 1960.
SR No.022756
Book TitleIndological Studies
Original Sutra AuthorN/A
AuthorH C Bhayani
PublisherParshva Prakashan
Publication Year1993
Total Pages376
LanguageEnglish
ClassificationBook_English
File Size25 MB
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