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Classifications of Works
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153, 154, 155, 156, 157, 197, 198, $223, 1280, 12413, 3414, *425, 14426, 1512, *513-*518, 554, 614, 615, 687-690.694-700, 707, 708, 709-710.
Seventy-two Tirtbankares : 195, 259, 5510, 633, 634. One hundred & seventy Tirthankaras : *521, 522-527. Ali ti e T1thankaras of Bharata : $ 569.
(b) General 牙牙 牙牙 牙牙 % , -14, 22 A 3-2343, 22A6-23A6, 224,-23A7, 228,-3B1, 22B2$ 455 5 5 55 23B 2. 22B6-23B6, 22B4-23B7, 25, *27, *31, *32, *33, 1141, *146, 10 1147, 1150, *160, 193, 194, 199-206, 207-215, 216, 217, 218, *222, *231-234, 243, 245-246, 251, 252, 253–258, *260, *274, *284, *320*321, *322-*323, *324, *333, *334, *318, 403. *.11, *425, *135-*436, *443, 456, 457-458, *474, *475, *313-*518, *521, 543, 553, *556, *557-*553, $569, 580, 592-602, 603-609, 623, 624-630, 638, 655-658, 15 663, 664, 691, 692, 693, 706, 712(?).
(B) Navapada alias Siddhacakra $ 223, 273, 555, 617 ( yantra ).
(C) The Five Parameştbins 15, 263-256, 267-269, 291-293, 294, 295-296, 347, 7544-550, 570(?). 20
(D) The Jaina Canon *27, *31. *32 (śāsana). *35, 141, *146, 1147, 4150, x 152 ( śruta). *160, *222, 224-225, *231-*234, 235, *274, 280, *284, *320-321 ( śásana ), *322-*323, 324, *333, *334, 348, *411, 413, *125, 1426 (Jainism ), *435-*436, *443, *474, *475, 1512, *513-*518, 519 ( śruta), 25 *521, x 554, *556, *557-*553, $569, 8623 ( śruta ), *706.
(E) Celestial Beings 6 ( Anubhūtisiddha-Sarasvati), 8 ( Annapürņā ), 9 ( Annapurnā),
455 10 ( Ambikā ), 22B9-23B,, *27, *31 ( Kapardin ), *32 ( Sidd sānta), 30 *35 Am ikā), 114 ( Kurgkullä ), 115 ( Vişnu), 118.( kşetrapāla ), 119-120 ( Bhairava ), 121 (Ganapati ), 122 (Ganapati 7, 137 (planets), 138 (Granțäkarna ), 139 (Cakreśvari ), 140 ( ? Cakreśvari ), ||141, *146, †147, *150, x 152, *160, 161 (Jväāmi)int), *222,
35
- 1-2 All are not named.
3 This work praises Tirthaikaras of Mahāvideha and chaste women, too. 4 All are not named. 5 This work deals with eternal temples, too.
$ This sign suggests that the hymn consists of 4 verses praising (i) all the Tirthankar as (past, present & future ) of Bharuta, (ii) all the Tirthaikaras, (iii) their speech and (iv) celestial being..
|| This sign suggests that the hymn in question comprises four verses as in the case of works baving their numbers marked with an asterisk, with this difference that the first verse, too, is applicable to any and every Tirthankara.
6 This praises śruta & guru, too. 7 The work deals with celestial beings, too. 8 his work praises Tirthankaras and guru, too,
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