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under the immediately present external mode of its appearance as in the case of taking a redhot piece iron for fire itself; or taking a man to be insane for the temporary fit of insanity he has displayed for the moment. (ix) Utpůda vyaya sápeksha sattå
(ix) Utpaaa- grháka asuddha-implies taking a thing
vyaya sapek.
sha satta in its tripartite aspects of origination, des
grhakaasuddha
truction and permanence at one and the same time; as in the case of casting a gold necklace into the mould of a bracelet, the substance remaining the same substance all through the time, involving, as it does, in it the idea of the origination of the bracelet from the destruction of the necklace, gold remaining essentially the same all through.
Bheda kalpana såpeksha asuddha-is the consideration of the thing after resolving it through the processes of mental abstraction into substance and quality, though the two are really non-different and inseparable from each other: for instance, consciousness is the essential quality of the soul; but we often draw a line of distinction between consciousness and soul in our ordinary
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(viii) Kramopadhi sapekshaasudha
Bheda kalpaná sápeksha asuddha.
