________________
Rs. A. 88. Anekāntajayapatākā ( 1971): of Haribhadra
Sūri (c. 1120 A.D.) with his own commentary and Tippanaka by Munichandra, the Guru of Vādideva Sūri: ecited by H. R. Kapadia, M.A., in 2 vols., vol. I, 1940.
Shortly.
2.
II. BOOKS IN THE PRESS. ]. Nāțyaśāstra (aja 1): edited by M, Ramakrishna
Kavi, 4 vols., vol. III. Alamkāramahodadhi ( FICAT ): a famous work
on Sanskrit Poetics composed by Varendraprabha Sūri at the request of Minister Vastupāla in 1226 A.D.: edited by Lalchandra B. Gandhi of the Oriental
Institute, Baroda. 3. Dvādaśāranayacakra (g tage): an ancient
polemical treatise giving a résumé of the different philosophical systems with a refutation of the same from the Jain standpoint by Mallavādi Suri with a commentary by Simhasuri Gani: edited by Muni
Caturvijayaji. 4. Kștyakalpataru (radas): of Laksmīdhara, minister
of King Govindachandra of Kanauj: edited by Principal K. V. Rangaswami Aiyangar, Hindu Uni
versity, Benares, vols. I-IV. 5. A Descriptive Catalogue of MSS. in the Oriental
Institute, Baroda (TEISITIS ZEW): compiled by K. S. Ramaswami Sastri, Srauta Pandit. Oriental Institute, Baroda, 12 vols., vol. II (Srauta, Dharma,
and Grhya Sūtras), 6. Madhavānala-Kāmakandala (Fiyataq RRET): a
romance in old Western Rajasthani by Ganapati, a Kāyastba from Amod: edited by J. R. Vajumdar,
M.A., LL.B. 7. Anekāntajaya patākā ( TUI): of Haribhadra
Süri (c. 1120 A.D.) with his own commentary and Tippanaka by Munichandra, the Guru of Vädideva
Sūri: edited by H. R. Kapadia, V.4., in 2 vols., vol. II. 8. Sekoddeśaţikā (galeria): a Buddhist ritualistic
work of Xaropa describing the Abhiseka or the initiation of the disciple to the mystic fold: edited by Dr. Mario
Carelli. 9. Sarrät Siddhānta (ezf ): the well-known
work on Astronomy of Jagannātha Pandit: critically edited with numerous diagrams by Pandit Kedar Nath,
Rajjyotisi, Jaipur, 10. Vimalaprabha (faHEET): the famous commentary
on the Kalacakra Tantra and the most important work of the Kālacakra School of the Buddhists: edited with comparisons of the Tibetan and Chinese versions by Giuseppe Tucci of the Italian Academy.