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________________ INTRODUCTION TO THE ÂSVALÂYANA-GR/HYA-SÛTRA. MOST of the questions referring to the Grihya-sûtra of Åsvalâyana will be treated of more conveniently in connection with the different subjects which we shall have to discuss in our General Introduction to the Grihya-sûtras. Here I wish only to call attention to a well-known passage of Shadgurusishya, in which that commentator gives some statements on the works composed by Åsvalâyana and by his teacher Saunaka. As an important point in that passage has, as far as I can see, been misunderstood by several eminent scholars, I may perhaps be allowed here to try and correct that misunderstanding, though the point stands in a less direct connection with the Grihya-sûtra than with another side of the literary activity of Åsvalâyana. Shadgurusishya1, before speaking of Åsvalâyana, makes the following statements with regard to Åsvalâyana's teacher, Saunaka. 'There was,' he says, 'the Sakala Samhita (of the Rig-veda), and the Bâshkala Samhitâ ; following these two Samhitâs and the twenty-one Brâhmanas, adopting principally the Aitareyaka and supplementing it by the other texts, he who was revered by the whole number of great Rishis composed the first Kalpa-sûtra.' He then goes on to speak of Âsvalâyana — 'Saunaka's pupil was the venerable Âsvalâyana. He who knew everything he had learnt from that teacher, composed a Sûtra and announced (to Saunaka that he had done so)2. Saunaka then destroyed his own Sûtra, and See Max Müller's History of Ancient Sanskrit Literature, pp. 230 seqq.; Indische Studien, I, 102. This seems to me to be the meaning of satram kritvå nya vedayat; Digitized by Google
SR No.007685
Book TitleGrihya Sutras
Original Sutra AuthorN/A
AuthorHermann Oldenberg
PublisherOxford
Publication Year1886
Total Pages2642
LanguageEnglish
ClassificationBook_English
File Size49 MB
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