&
are wenrfae for war Bi ae: aifaes sarear wt glee & relamnfag #
cam ofa fattee at ater dtorta geile, feet ft et aa &
apaafeas dF % gearq et sat arevarfawe afafatrr at festa gat
2 erates corer & ag afar wear 8 fe sae AAT Sr ITT
arenartan afaaam ete aga gd at gat at Baer ware
wae eaeRT ST aeHe He ei TT ATT wai Hoag sites fafa
arifie eo H maar afeafera grat & 1 aT: safeatar Rae araTweT
Pyar qaeeee aT ase fe ae Samrat & afta fae dar 3)
amar, arcaitmar wife A ghee & at ag ara& were TTEHeT AIT
qapcia % vam ger wea id few Patz
ata Patten anfaea # sree arr quite 2° fg vail at
ag varvar wal & at afer FBI fafres atfgea # aefa-
afta % wetfar go miaay wer aTee’s, afaataats, faets,
aaferga’!, dora (Retfesget) +, adara (frig arage)**, HaTET
aife & seta &, fag ea aM wT ge & free A ar aT a gat
wedi #3 geq Ay aremarfaes afehaaer & gee Te Soe: ae SAAT aT
qaadi & 2c aefoarfas # settee wae crate ste area Ta, WTaT
ate ooaalaar a afte & Sa Te& asain gee, ateTT
ex. (a) aitenfger ar sfagrr (aeatng sareata) go texte?
(a) hk the ofdest of the poetic good of the Buddhist
Script
‘The Suttanipata (sister Vayira) introduction for P. 2
ta. ait ares aaa
gations 3, afeage 1,
to. aft afc sgn fearfagrt |
aafiat 23, mae at
ts tandtsgaten macht dtarrmd (ssarment fifa)
aateara of Riramraya
te. aafama 24, afer1
ze. aft
Re mts
RR. arena 48; faarTet ats ate Tae AEH
mite wer, A RE, TET fee ee
