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(41) Kartı, (42) Dındım (small drum), (43) Kınık, (44) Kadamb, (45) Dardar, (46) Dardrika, (47) Kalashika, (48) Madakk, (49) Tal,
(50) Taal (cymbals), (51) Kansya Taal, (52) Ringrisika. (53) Lattika R (cymbals). (54), Makrika, (55) Shishumarika, (56) Vali, (57) Venu, (58) Parili, (59) Vadhhak
In the aphorism the musical instruments are mentioned of forty nine types But on actual counting their number is fifty nine The commentator has resolved this difference by pointing out that "Basically they are of forty nine types and the remaining are sub-types”
Out of the above mentioned names. It is not known about of some of them what instruments represent them at present. The commentator is also silent on this issue.
The names of these musical instruments appear at several places in the scriptures (Agam) for instance in Vijay Dev chapter of Jambu Dveep Prajnaptı, in Sutrakritanga and others Many types of musical instruments find mention in Sangeet Ratnakar by Shaar-gandhar, in Bharat Natyam and in Mahabharat. A good and valuable information about such musical instruments is available in the issue of Hindu Culture of Kalyan-a monthly magazine. This description indicates that the knowledge in the field of music and dance was of a high order and very much developed in ancient India. Further the experts then were well trained in preparing musical instruments of various types सूर्याभदेव द्वारा नृत्य-गान-वादन का आदेश ___७८. तए णं ते बहवे देवकुमारा य देवकुमारियाओ य सद्दावेति। ___तए णं ते बहवे देवकुमारा य देवकुमारीओ य सूरियाभेणं देवेणं सद्दाविया समाणा हट्ट
जाव जेणेव सूरियाभे देवे तेणेव उवागच्छंति, तेणेव उवागच्छित्ता सूरियाभं देवं करयलपरिग्गहियं जाव वद्धावित्ता एवं वयासी–“संदिसंतु णं देवाणुप्पिया ! जं अम्हेंहि कायव्वं।'
७८. तदुपरान्त सूर्याभदेव ने उन देवकुमारो तथा देवकुमारियो को अपने पास बुलाया।
वे देवकुमार और देवकुमारियाँ हर्षित होकर यावत् सूर्याभदेव के पास आये और दोनो हाथ जोडकर अभिनन्दन कर सूर्याभदेव से विनयपूर्वक बोले-“हे देवानुप्रिय । हमे जो ॐ करना है, उसकी आज्ञा दीजिये।" रायपसेणियसूत्र
(80)
Ral-paseniya Sutra
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