Prakrit Verses in Sanskrit Works on Poetics Part 02

SR No.: 006960
Original Sutra Author: N/A
Author: V M Kulkarni
Publisher: B L Institute of Indology
Publication Year: 1990
Total Pages: 768
Language: English
Classification: Book_English
File Size: 12 MB

Page 671

Prakrit Verses in Sanskrit Works on Poetics
607 प्रतीयमानमुपपतिनखक्षतमपनूयते । इयं च मतान्तराभिप्रायेण, स्वमते तु व्याजोक्तिरेवेयम् । - पृ. २५९. 64. This gātha is already dealt with; vide A'sarvasva S.No. (21.441) supra. Following
Ruyyaka, Narendraprabha cites this gāthă as an example of the figure Adi-dipaka.
65. This gåtha is already dealt with; vide VJ S.No. (4.20) supra. If Kuntaka cites
this gåtha as an example of Dipaka (Pankti samstha), Narendraprabha cites it as an example of Madhya-Dīpaka.
66. This gātha is already dealt with; vide KP S.No. (51.431) supra. Narendraprabha
cites this gathā as an example of Anta-Dīpaka. 67. This Skandhaka is already dealt with; vide ŚP S.No. (178.78), SK S.No.
(148.369) supra.
Narendraprabha cites this stanza as an example of Drstānta (sāmányavati dve 'pi vākye variety). Bhoja however cites it as an example of Ubhaya-nyāsa (which is, according to him, Arthăntara-nyāsa eva).
68. This gātha is already dealt with; vide A'sarvasva S.No. (41.444) supra.
Narendraprabha cites this gātha as an example of the figure Akşepaḥ (ukta-visayaḥ). He thus comments on it : taler siapa argat Arteta Tru: Haf
Bith farztailaments H aifa tifa fasta: ucitud I - q. RCC. 69. This gātha is already dealt with; vide ŚP S.No. (1535.320), KP S.No. (52.432)
supra. Following Mammața, Narendraprabha cites this gātha as an example of the figure Aksepaḥ (vaksyamāņa-visayah). His comment on the găthā reads: 37 fa r a सामान्योक्तावुत्तरस्य विशेषभणनीयस्य निषेधेन तस्यामीदृशीं मृत्युदशां प्राप्तायामपि न त्वमहङ्कारं त्यजसीति riyantunt fartat TRICI - 9. 368.
70. This gatha is already dealt with; vide ŚP S.No. (743.186), A'sarvasva S.No.
(46.445) supra. Narendraprabha cites this gātha as an example of the figure Vicitra, newly defined and illustrated for the first time by Ruyyaka. Ruyyaka's