Agam 14 Upang 03 Jivabhigam Sutra Stahanakvasi

SR No.: 003482
Original Sutra Author: N/A
Author: Madhukarmuni, Rajendramuni, Shobhachad Bharilla
Publisher: Agam Prakashan Samiti
Publication Year: 1989
Total Pages: 736
Language: Prakrit, Hindi
Classification: Book_Devnagari
File Size: 19 MB

Page 576

नंदीश्वरद्वीप को वक्तव्यता] [65 तं जहा-देवे, असुरे, णागे, सुवणे / ते ण दारा सोलसजोयणाई उड्ढं उच्चत्तेणं, अट्ठ जोयणाई विक्खंभेणं, तावइयं चेव पवेसेणं सेया वरकगण० वण्णो जाव वणमाला। तेसि णं वाराणं चउदिसि चत्तारि मुहमंउवा पण्णता / तेणं मुहमंडवा जोयणसयं आयामेणं पण्णासं जोयणावं विक्खंभेणं साइरेगाई सोलसजोयणाई उड्ढे उच्चत्तेणं वण्णश्रो। तेसि गं मुहमंडवाणं चउहिसि (तिदिसि) चत्तारि (तिण्णि) दारा पग्णता। ते णं दारा सोलसजोयणाई उड्ढं उच्चत्तणं, अजोयणाई विक्खंभेणं तावइयं चेव पवेसेणं सेसं तं चेव जाव वणमालाओ। एवं पेच्छाघरमंडवा वि, तं चेव पमाणं जं मुहमंडवाणं वारा वि तहेव, गरि बहुमज्मदेसे पेच्छाघरमंडवाणं अक्खाडगा मणिपेढियाओ अट्ठजोयणपमाणाओ सीहासणा अपरिवारा जाव दामा थूभाई चउद्दिसि तहेव गवरि सोलसजोयणप्पमाणा साइरेगाइं सोलसजोयणाई उच्चा सेसं तहेव जाव जिणपडिमा। चेइयरुक्खा तहेव चउद्दिसि तं चेव पमाणं जहा विजयाए रायहाणीए णवरि मणिपेढियाओ सोलसजोयणप्पमाणाओ। तेसि णं चेइयरुक्खाणं चउद्दिसि चत्तारि मणिपेढियाओ अट्ठजोयणविक्खंभाओ चउजोयणबाहल्लाओ महिंदज्झया चउसद्विजोयणुच्चा जोयणोव्वेधा जोयणविक्खंभा सेसं तं चेव। ___ एवं चउद्दिसि चत्तारि गंदापुक्खरणीओ, णवरि खोयस्स पडिपुण्णाओ जोयणसयं आयामेणं पन्नासं जोयणाई विक्खंभेणं पण्णासं जोयणाइं उन्हेणं सेसं तं चेव / मणोगुलियाणं गोमाणसीण य अडयालीसं अडयालीसं सहस्साई पुरच्छिमेणवि सोलस पच्चत्थिमेणवि सोलस दाहिणेणवि अट्ठ उत्तरेणवि अट्ठ साहस्सीओ तहेव सेसं उल्लोया भूमिभागा जाव बहुमज्झदेसभाए मणिपेढिया सोलसजोयणा आयामविक्खंभेणं अट्ठजोयणाई बाहल्लेणं तारिसं मणिपेढियाणं उपि देवच्छंदगा सोलसजोयणाई प्रायामविक्खंभेणं साइरेगाई सोलसजोयणाई उड्ढं उच्चत्तेणं सव्वरयणामया० अट्ठसयं जिणपडिमाणं सो चेव गमो जहेव वेमाणियसिद्धाययणस्स / 183. (ख) उन प्रत्येक सिद्धायतनों की चारों दिशाओं में चार द्वार कहे गये हैं; उनके नाम हैं-देवद्वार, असुरद्वार, नागद्वार और सुपर्णद्वार / उनमें महद्धिक यावत् पल्योपम की स्थिति वाले चार देव रहते हैं; उनके नाम हैं---देव, असुर, नाग और सुपर्ण / वे द्वार सोलह योजन ऊँचे, आठ योजन चौड़े और उतने ही प्रमाण के प्रवेश वाले हैं / ये सब द्वार सफेद हैं, कनकमय इनके शिखर हैं अादि वनमाला पर्यन्त सब वर्णन विजयद्वार के समान जानना चाहिए। उन द्वारों की चारों दिशाओं में चार मुखमंडप हैं / वे मुखमंडप एक सौ योजन विस्तार वाले, पचास योजन चौड़े और सोलह योजन से कुछ अधिक ऊँचे हैं / विजयद्वार के समान वर्णन कहना चाहिए। उन मुखमंडप की चारों (तीनों) दिशाओं में चार (तीन) द्वार कहे गये हैं। वे द्वार सोलह योजन ऊँचे, पाठ योजन चौड़े और पाठ योजन प्रवेश वाले हैं आदि वर्णन बनमाला पर्यन्त विजयद्वार तुल्य ही है। __इसी तरह प्रेक्षागृहमंडपों के विषय में भी जानना चाहिए / मुखमंडपों के समान ही उनका प्रमाण है। द्वार भी उसी तरह के हैं। विशेषता यह है कि बहुमध्यभाग में प्रेक्षागृहमंडपों के अखाड़े, (चौक) मणिपीठिका पाठ योजन प्रमाण, परिवार रहित सिंहासन यावत् मालाएं, स्तूप आदि चारों

Translation AI Generated

The Nandishvara Island is described as follows: [65] There are four gates, namely Deva, Asura, Naga, and Suvarna. These gates are sixteen yojanas high, eight yojanas wide, and have an entrance of the same measure. They are all white, with golden peaks, and adorned with a garland of flowers, etc. All these details should be understood as similar to the Vijayadvara. There are four mukhamandapas in each of the four directions of these gates. These mukhamandapas are one hundred yojanas long, fifty yojanas wide, and sixteen yojanas high. They are described in the same way as the Vijayadvara. There are four (three) gates in each of the four (three) directions of these mukhamandapas. These gates are sixteen yojanas high, eight yojanas wide, and have an entrance of eight yojanas. All these details should be understood as similar to the Vijayadvara. Similarly, the details of the Prekshagrihamandapas should be understood. Their dimensions are the same as those of the mukhamandapas. The gates are also similar. Notably, in the center of the Prekshagrihamandapas, there are arenas (squares) with manipethikhas of eight yojanas, family-less thrones, garlands, stupas, etc. in all four directions. There are also sixteen yojanas high sairegais of sixteen yojanas in all four directions. All these details should be understood as similar to the Jina image. The Cheyarukhas are also similar in all four directions, with the same dimensions as the Vijayadvara. There are nine manipethikhas of sixteen yojanas in each of the four directions of the Cheyarukhas. There are four manipethikhas of eight yojanas wide and four yojanas thick in each of the four directions of the Cheyarukhas. The Mahindajjhaya is four yojanas high, one yojana deep, and one yojana wide. All these details should be understood as similar to the Vijayadvara. There are four Gandhapushkarinis in each of the four directions. They are filled with water and are one hundred yojanas long, fifty yojanas wide, and fifty yojanas deep. All these details should be understood as similar to the Vijayadvara. There are 84,000 Manoguliyas in the east, 84,000 in the west, 84,000 in the south, and 84,000 in the north. All these details should be understood as similar to the Vijayadvara. There are manipethikhas of sixteen yojanas long and wide, and eight yojanas thick in the center of the island. There are also Devachhandagas of sixteen yojanas long and wide, and sixteen yojanas high in each of the four directions of these manipethikhas. They are all made of gold and have 800 Jina images. This city is similar to the one described in the Vemaaniyasiddhaayana. [183. (b)] It is said that there are four gates in each of the four directions of each of these Siddhayatanas. Their names are Devadvara, Asuradvara, Nagadvara, and Suparnadvara. There are four Devas residing in each of these gates, who are in the state of Mahddhika or Palyopama. Their names are Deva, Asura, Naga, and Suparna. These gates are sixteen yojanas high, eight yojanas wide, and have an entrance of the same measure. All these gates are white, with golden peaks, and adorned with a garland of flowers, etc. All these details should be understood as similar to the Vijayadvara. There are four mukhamandapas in each of the four directions of these gates. These mukhamandapas are one hundred yojanas long, fifty yojanas wide, and sixteen yojanas high. They are described in the same way as the Vijayadvara. There are four (three) gates in each of the four (three) directions of these mukhamandapas. These gates are sixteen yojanas high, eight yojanas wide, and have an entrance of eight yojanas. All these details should be understood as similar to the Vijayadvara. Similarly, the details of the Prekshagrihamandapas should be understood. Their dimensions are the same as those of the mukhamandapas. The gates are also similar. Notably, in the center of the Prekshagrihamandapas, there are arenas (squares) with manipethikhas of eight yojanas, family-less thrones, garlands, stupas, etc. in all four directions. There are also sixteen yojanas high sairegais of sixteen yojanas in all four directions. All these details should be understood as similar to the Jina image. The Cheyarukhas are also similar in all four directions, with the same dimensions as the Vijayadvara. There are nine manipethikhas of sixteen yojanas in each of the four directions of the Cheyarukhas. There are four manipethikhas of eight yojanas wide and four yojanas thick in each of the four directions of the Cheyarukhas. The Mahindajjhaya is four yojanas high, one yojana deep, and one yojana wide. All these details should be understood as similar to the Vijayadvara. There are four Gandhapushkarinis in each of the four directions. They are filled with water and are one hundred yojanas long, fifty yojanas wide, and fifty yojanas deep. All these details should be understood as similar to the Vijayadvara. There are 84,000 Manoguliyas in the east, 84,000 in the west, 84,000 in the south, and 84,000 in the north. All these details should be understood as similar to the Vijayadvara. There are manipethikhas of sixteen yojanas long and wide, and eight yojanas thick in the center of the island. There are also Devachhandagas of sixteen yojanas long and wide, and sixteen yojanas high in each of the four directions of these manipethikhas. They are all made of gold and have 800 Jina images. This city is similar to the one described in the Vemaaniyasiddhaayana.