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4 silvery pots, pots studded with precious stones, pots made of gold and y $1 silver and 1,008 earthen pots on their soft palms. The pots were on y
natural lotus flowers and also those created by fluid process. They were full of fragrant water of best quality. They were painted with Sandal paste. The pearls were tied on the neck of the pots. The pots were covered with lotus and Utpal flowers. They were having water of all y types. The gods were also carrying earth of all types, bitter substances of y all sorts (flowers, fragrant substances and garlands of all types), all 9 types of food grains and white Sarson seeds. They then came with their
wealth in an environment filled with music and in this atmosphere 55 Achyutendra performed the anointing of the Tirthankar. When Achyutendra was performing the anointing, the other Indras
like were extremely happy. They were holding umbrellas, 9 whisks, incense pots, flowers, fragrant substances (garlands, powder of fragrant substances) Vajra and trishul in thier hands folded as a mark of respect. The entire description is similar to that of anointing of Vijay Devy in Jivabhigam Sutra. Some celestial beings were on the roads leading to y Pandak forest. Since heaps of Sandalwood brought from various places y were lying there on the roads at various places. They were looking like 9 bazaars. The celestial beings were sprinkling water on the roads, cleaning them and applying paste on them to set them right. They were i thus making the roads fragrant and the best.
ome gods were raining silver there. Some were raining gold, jewels, 4 diamonds, leaves, flowers, fruit, seeds, garlands, fragrant substances, coloured substance, powder of fragrant substances. Some were offering silver to other gods as auspicious gift (Some were offering gold, jewels, diamonds, ornaments, leaves, flowers, fruit, seeds, garlands, fragrant substances, colour and some were offering powder.
Some were playing on (1) violin, (2) drums, (3) flutes and (4) fun types of musical instruments.
Some were singing four types of songs which were in four parts and 4 were sing in a low voice in between by making a posture of semi-consc iousness. They were singing in relevent desired manner as prescribed.
Some were performing four types of dances namely—(1) Anchit, Drut, (3) Aarbhat, and (4) Bhasol.
Some were acting in four different types namely—(1) Daarshtantik, 4 (2) Pratishrutik, (3) Samanyatovinipatik, and (4) Lok Si Madhyamaavasanik. | जम्बूद्वीप प्रज्ञप्ति सूत्र
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