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Tresad Risrinavamayadi Mama Sahaparaka Mishradi Divingmidium
Sanjam Gathanacha So Hari Niyamrith Adhuruvinairguna Khanay Khali Sasana Thail Niyamkharu Wadavali Gandanu Avaravasadsenain. Anayassupari Sa Samupatapanahi San Samgarana Divadisahitarate Farsha
Jayavajyayuparichivisami Mianinuman Rayarannehala | Impal Ajayamadhummadamaru Parashnu Gayagijagehho Gaya | Gandan Pijavirahanaje A | Yavan Jovaspadankkiupaha Ghana Ranavad Haho Kar Jag Saru Thapi Vari Iyamahapuraanetisahim Ho Rasgunala Koromdada Kashyappayutvirama Saha Tarahanumasie Maha Kule. Jiya Nirak Vna Kallagananam Satrama Parin. Sangala ||Matardhasandharikahalinomametdada Prachatah Kath 65
On the ninth day of the dark fortnight of the month of Vasant, in the Uttarashadha Nakshatra, he accepted two types of restraint in his mind. Indra, Agni and Yama went to their homes. Other people, bowing their heads, circumambulated the master who was established in the rules. Forty hundred kings, whose wives were looking at them with affection, were immediately initiated. Ajayamalla reached Madhupura. Bahubali also went to his city. Other sons, like Vrishabhasena, who were pleasing to the eyes, and all the women, who were extremely distressed by the separation from their beloved, also returned. If the Nagaraj could describe him, then he would be with those Nabhiraj.
Ghatta - The sound of the drums of the terrifying war for the world echoed in the directions of the Bharat region, and Pushpadanta, the king of the Nagas, went to Ayodhya, an impregnable city for enemies, and settled there. || 26 ||
Thus, the seventh chapter of the great epic, named Jinadisha Grahan Kalyan, composed by the great poet Pushpadanta, adorned with the qualities and ornaments of sixty-three Shalaka Purushas, and approved by the great Bharat, is completed. || 7 ||