Jain Rup Mandan

SR No.: 001961
Original Sutra Author: N/A
Author: Umakant P Shah
Publisher: Abhinav Publications
Publication Year: 1987
Total Pages: 466
Language: English
Classification: Book_English & Art
File Size: 27 MB

Page 344

331
List of Plates
Fig. 65 (Pl. XXXVII). Tirtbankara Sreyamsa standing with his yakşa and yaksi. Bhandara Basti, Sravana Belagola. c. 1159 A.D. Copyright, U.P. Shah.
Fig. 66 (Pl. XXXVII). Tirthankara Dharmanātha standing with his yaksa and yaksi. Vajra (thunderbolt) lañchana on pedestal. To his left is sculpture of sixteenth Tirthankara Santinātha standing with his yaksa and yaksint. Deer cognizance on pedestal. Both sculptures from the group of 24 Tirthankaras, Jaina temple, Mudabidri, Karnataka. Age, c. 14th century A.D. Copyright, U.P. Shah.
Fig. 67 (Pl. XXXVIII). Tirtha okara Vasupujya standing, cognizance mahişa (buffalo) on pedestal and the yakşa and yaksini by the side of the Jina. To the left of this sculpture is a figure of Tirthankara Vimala standing with his yaksa and yakşini. Cognizance varaha on pedestal. Both the images from Bhandara Basti, Sravana Belagola, c. 1159 A.D. Copyright, U.P. Shah.
Fig. 68 (Pl. XXXVIIT). Seventeenth Tirthankara Kunthu and the eighteenth Jina Ara, each sitting on a double-lotus placed on a simhasana. Kunthū and Ara have the goat and the fish respectively as their cognizances. R.P. Mohapatra, op. cit., pl. 101, fig. 1, p. 179. Copyright, Archaeological Survey of India.
Fig. 69 (Pl. XXXIX). Pañcatirthe image with Tirtha kara sāntinātha sitting in the centre on a simhasana. The deer cognizance on a cloth hanging over the simhāsana. Full parikara with yakşa and yaksi. From Pabhosa, U.P., now in the Allahabad Municipal Museum. Ref. Pramod Chandra, Stone Sculptures in the Allahabad Museum, p. 158, fig. 455. Copyright and Courtesy of American Institute of Indian Studies, Varanasi.
Fig. 70 (Pl. XXXIX). Twelve-armed figure of Cakreśvari yakși on the left wall of the verandah of Barabhuji cave, Khandagiri, Orissa. One of her right hands is in varada mudrā, two others hold the sword and the cakra. Of her left hands, one is held against the chest and three other hands carry the shield, the ghantă, and the cakra. Symbols of the remaining hands are damaged and indistinct. Mohapatra, op. cit., pl. 95, fig. 1. Copyright, Archaeological Survey of India.
Fig. 70A (Pl. XXXIX). Sculpture of Munisuvrata at Rajgir, Vaibhāragiri, Bihar. Pāla art, c. 8th9th cent. A.D. Note rendering of devadundubhi on two sides of the triple umbrella. See also text, pp. 161-162. Debala Mitra, Iconographic Notes, Journ. of the Asiatic Society, Vol. I, no. 1 (1959), pp. 38-39. Copyright, Archaeological Survey of India.
Fig. 71 (Pl. XXXIX). Parsvanātha from Godavari district, now in Madras Museum. Seven cobra-hoods overhead. The Jina sitting in ardhapadmasana is attended on each side by a standing male Nāga having one snake-hood over the crown. The Nāgas are holding one end each of a big garland of flowers. This is a rare example of a Jina image attended by Nāgas. Copyright, Archaeological Survey of India.
Fig. 72 (Pl. XL). Munisuvrata with tortoise cognizance on pedestal, and dated in Samvat 1063= 1006 A.D. From river Yamuna near Agra Fort, now No. J.776 in State Museum, Lucknow. A unique composition of miniature figures of other Jinas and Jivantasvāmi figures along with main image of Munisuvrata, see text, p. 163. Copyright, State Museum, Lucknow.
Fig. 73 (Pl. XLI). Mallinātha with the pitcher as cognizance and Naminātha with a bunch of blue-lotuses shown as cognizance on the simhasana. From Mahavira-Gumpha, Khandagiri, Orissa. Mohapatra, op. cit., pp. 179-180, pls. 93, fig. 1, 94, fig. 1, 101, fig. 2. Copyright, Archaeological Survey of India.
Fig. 74 (Pl. XLI). Tirthankaras Munisuvrata and Neminātha from Mahavira-Gumpha, Khandagiri. Mohapatra, op. cit., pp. 180-181, pls. 86, 93, 94 and 102. Copyright, Archaeological Survey of India.
Fig. 75 (Pl. XLII). Standing Sāntinātha with Garuda yakșa and Mahāmänası yaksi, from Mangayi Basti, Sravana Beļagoļa. Age, c. 1325 A.D. Copyright and Courtesy of Prof. S. Settar, Dharwar.
Fig. 76 (Pl. XLII). Austerities of Parsvanatha, painting from a paper manuscript of Kalpa-sútra, c. 15th century A.D. Copyright & Courtesy, The Cleveland Museum of Art (The Edward L. Whittemore collection).
Fig. 76A (PI. XLII). Eighteen-armed Cakreśvari. Miniature painting on palm-leaf Ms. folio in the
lih