________________
[5] MISCELLANEOUS NAMES
I astiat
-one of the four parks attached to the palace of
Madan a bhrama. 4.6. 2 startattatet
Do. 4.8-9. 3 कमलकेदार
- one of the four step-wells in the palace-compound
of Mad a bhrama. 4.7. 4 RITATE
- one of the four principal Gavākşas that to the
north--of the palace of Mada na bhrama. 4.5. 5 PRITE
---one of the four step-wells in the palace-compound
of Mada n a bhrama. 4.7. 6 Trakaita
- one of the four principal Gavākşas in Mada na
bhrama's palace. 4.4-5. 7 FESTETI -a small pond in the palace-compound of
Madan a bhrama. [ Candrajyotsna > Candra
jotsnā > Candrayotsnā. ] 4.10; 5.6. 8 धारागिरिवाडी -one of the four parks in the compound of the palace
of Mada na bhrama. 4.8. 9 नन्दनवाडी
Do. 4.9. 10 goat[ v.l. 697 )atur - one of the four principal Gavákşas in Mada na
bhra ma 's palace. 4.4; 5.5; 7.6. II HTETTEL
-the science of Dramaturgy. Probably here there is
a reference to the Nāțyaśāstra of Bharata, the oldest available work on Poetics (including Dramaturgy), which can be placed not later than 300 A.D.
25.6. 12 वासुपूज्यचरित्रम् - the Vasupujyacaritam, a work in four Sargas
describing in 5494 verses the life-story of Vāsupūjya, the twelfth Tirthankara of the Jain a.s, along with the narration of his previous birth as king Pad mottar a. It is written throughout in the Anu ș t u bh metre, with the exception of the concluding verses of the Sargas which are in Vasantatilaká. As is evident from the Prasastiverses at the close of the fourth Sarga, it was
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