Padmapuran Part 2

SR No.: 001823
Original Sutra Author: Dravishenacharya
Author: Pannalal Jain
Publisher: Bharatiya Gyanpith
Publication Year: 1999
Total Pages: 480
Language: Hindi, Sanskrit
Classification: Book_Devnagari, Mythology, & Story
File Size: 12 MB

Page 171

शतपर्व
"तद्देष्यपि तयोः पृष्ट्वा क्षेमं सुस्निग्धलोचना । निखिलाचारनिष्णाता जानकीं परिषस्वजे ॥९०॥ उपचारो यथायोग्यं तयोस्तैरपि निर्मितः । आचार्यकं हिते? याता वस्तुन्यत्र प्रतिष्ठितम् ॥९१॥ atraणुमृदङ्गादिसहितो गीतनिःस्वनः । क्षुब्धार्णवसमो जज्ञे वन्दिवृन्दानुनादितः ॥ ९२ ॥ उत्सवः स महाञ्जातः पूजिताखिलसंगतः । नृत्यलोकक्रमन्यासादतिकम्पितभूतलः ॥ ९३ ॥ दिशस्तूर्यनिनादेन प्रतिशब्दसमन्विताः । चक्रुः परस्परालापमिव संमद निर्मराः ॥९४॥ शनैः प्रसन्नतां याते तस्मिन्नथ महोत्सवे । शरीरकर्म तैः सर्वं कृतं स्नानाशनादिकम् ||१५|| ततः सप्तिद्विपारूढं सामन्त शतवेष्टितौ । सारङ्गोपमपादातमहाचक्रपरिच्छदौ ॥ ९६ ॥ पुरःप्रवृत्तसोत्साह राजस्थपृथिवीधरौ । विदुग्धसूतलोकेन कृतमङ्गलनिस्वनौ ॥ ९७ ॥ हारराजितवक्षस्कावनघ शुकधारिणौ । हरिचन्दनदिग्धाङ्गावारूढौ रथमुत्तमम् ॥९८ ॥ नानारत्नांशु संपर्कसमुद्भूतेन्द्र कार्मुकौ । शशाङ्कभास्कराकारावशक्यगुणवर्णनौ ॥९९॥ सौशानदेवामी जानकीसहितौ पुरम् । कुर्वाणौ विस्मयं तुङ्गं प्रविष्टौ रामलक्ष्मणौ ॥१००॥ वरमालाधरौ गन्धबद्धषट्पदमण्डलौ । संपूर्णचन्द्रवदनौ विनीताकारधारिणौ ॥ १०१ ॥ यक्षेणेव कृते तस्मिल्लकामे पुटभेदने । रेमाते परमं भोगं भुजानौ निजयेच्छया ॥१०२॥
चार पूछा || ८९ || जिसके नेत्रोंसे स्नेह टपक रहा था तथा जो सब प्रकारका आचार जानने में निपुण थी ऐसी रानीने भी राम-लक्ष्मणसे कुशल पूछकर सीताका आलिंगन किया ||१०|| उन सबने भी राजा-रानीका यथायोग्य सत्कार किया सो ठीक ही है क्योंकि वे इस विषय में अतिशय निपुणता को प्राप्त ॥ ९१ ॥
तदनन्तर जो वीणा, बांसुरी, मृदंग आदिके शब्दसे सहित था, जो क्षोभको प्राप्त हुए समुद्रकी तुलना धारण कर रहा था और जिसमें वन्दीजनोंके द्वारा उच्चारित विरुदावलीका नाद गूँज रहा था ऐसा संगीतका शब्द होने लगा ||१२|| जिसमें आये हुए समस्त इष्टजनोंका सत्कार हो रहा था, तथा नृत्य करनेवाले मनुष्योंके चरण निक्षेपसे जिसमें भूतल काँप रहा था ऐसा वह महान् उत्सव सम्पन्न हुआ ||२३|| तुरहीके शब्दसे जिनमें प्रतिध्वनि गूँज रही थी ऐसी दिशाएँ हर्षसे ओत-प्रोत हो मानो परस्पर वार्तालाप ही कर रही थीं ॥ ९४ ॥ अथानन्तर धीरे-धीरे जब वह महोत्सव शान्त हुआ तब उन्होंने स्नान, भोजन आदि शरीर सम्बन्धी सब कार्यं किये ||१५||
११३
तदनन्तर जो हाथी-घोड़ोंपर बैठे हुए सैकड़ों सामन्तोंसे घिरे थे, मृगतुल्य पैदल सिपाहियोंका बड़ा दल जिनके साथ था, उत्साहसे भरा राजा पृथिवीधर जिनके आगे-आगे चल रहा था, चतुर वन्दीजन जिनके आगे मंगल ध्वनि कर रहे थे, जिनके वक्षःस्थल हारोंसे सुशोभित थे, जो Maa art किये हुए थे, जिनके शरीर हरिचन्दनसे लिप्त थे, जो उत्तम रथपर सवार थे, जिनके नाना रत्नोंकी किरणोंके सम्पर्क से इन्द्रधनुष उठ रहे थे, चन्द्र और सूर्यके समान जिनके आकार थे, जिनके गुणोंका वर्णन करना अशक्य था, सोधर्मं तथा ऐशानेन्द्रके समान जिनकी कान्ति थी, जो अत्यधिक आश्चर्य उत्पन्न कर रहे थे, जिनके गलेमें वरमालाएँ पड़ी थीं, सुगन्धिके कारण जिनके आस-पास भ्रमरोंने मण्डल बाँध रखे थे, जिनके मुख चन्द्रमाके समान थे तथा जो विनीत आकारको धारण कर रहे थे ऐसे राम-लक्ष्मणने नगरमें प्रवेश किया ॥ ९६- १०१ ॥ जिस प्रकार पहले, यक्षके द्वारा निर्मित नगर में इच्छानुसार भोग भोगते हुए वे रमण करते थे उसी प्रकार राजा पृथिवीधरके नगरमें भी वे इच्छानुसार उत्कृष्ट भोग भोगते हुए रमण करने
१. तद्देव्यापि म । २. हितो याता ज । ३. नृत्यलोक म । ४. सम्मदनिर्झराः म. ।
२-२०

Translation AI Generated

## Shatparva

1. **Taddeshyapi** **tayoḥ** **pṛṣṭvā** **kṣemam** **susnigdhalocanaḥ** | **nikhilācāranişṇātā** **jānākīm** **pariṣvasvaje** || 90 ||
> And she, with eyes full of affection, having asked about their well-being, embraced Jānākī, being well-versed in all manners.

2. **Upacāraḥ** **yathāyogaṁ** **tayoḥ** **tairapi** **nirmitaḥ** | **ācāryakaṁ** **hito** **yāta** **vastunyatra** **pratiṣṭhitam** || 91 ||
> They also performed the appropriate courtesies towards them, for they were well-versed in this matter.

3. **Atraṇumṛdanga** **ādisahito** **gītanisvanah** | **kṣubdhārṇavasamo** **jajñe** **vandivṛndānunāditaḥ** || 92 ||
> The sound of music, accompanied by drums, flutes, and other instruments, arose, like a turbulent ocean, resonating with the cheers of the people.

4. **Utsavaḥ** **sa** **mahān** **jātaḥ** **pūjitākhila** **sangataḥ** | **nṛtyaloka** **kramanyāsa** **ātikampita** **bhūtalah** || 93 ||
> That great festival took place, with all the guests honored, the earth trembling from the steps of the dancers.

5. **Diśas** **tūryaninādene** **pratiśabdasamanvitāḥ** | **cakruḥ** **parasparālāpam** **iva** **sammda** **nirjharāḥ** || 94 ||
> The directions, filled with the sound of trumpets, echoed back and forth, as if engaged in a conversation, pure and joyful.

6. **Śanaiḥ** **prasannatāṁ** **yāte** **tasminnath** **mahotsave** | **śarīrakarma** **taiḥ** **sarvaṁ** **kṛtaṁ** **snānāśanādhik** || 95 ||
> Then, as that great festival gradually calmed down, they performed all bodily duties, such as bathing and eating.

7. **Tatah** **saptidviparūḍhaṁ** **sāmanta** **śataveṣṭitau** | **sāraṅgopam** **pādāta** **mahācakra** **paricchadau** || 96 ||
> Then, mounted on seven elephants, surrounded by hundreds of vassals, with a large force of infantry like gazelles,

8. **Puraḥ** **pravṛtta** **sotsāha** **rājastapha** **pṛthivīdharau** | **vidugdhasūtalokena** **kṛtamaṅgalanisvanau** || 97 ||
> King Pṛthivīdhar, filled with enthusiasm, leading the way, with skilled musicians making auspicious sounds,

9. **Hārārājita** **vakṣaskā** **avanagh** **śukadhāriṇau** | **haricandan** **digdhaṅgā** **vārūḍhau** **rathamuttamam** || 98 ||
> with chests adorned with garlands, wearing fine garments, their bodies anointed with sandalwood, mounted on an excellent chariot,

10. **Nānāratnāṁśu** **sambarkasamudbhūte** **indra** **kārmukau** | **śaśāṅkabhāskara** **ākārāvaśakyaguṇavarnanau** || 99 ||
> with bows like Indra's, born from the contact of rays of various gems, their forms like the moon and sun, whose qualities are impossible to describe,

11. **Sauśānadeva** **āmī** **jānākī** **sahitau** **puram** | **kurvāṇau** **vismayaṁ** **tuṅgaṁ** **praviṣṭau** **rāmalakṣmaṇau** || 100 ||
> Rama and Lakṣmaṇa, with Jānākī, entered the city, causing great wonder, their radiance like that of the gods.

12. **Varamālādhara** **rau** **gandhabaddha** **ṣaṭpadamandala** **u** | **saṁpūrṇacandra** **vadanau** **vīnītā** **ākāradhāriṇau** || 101 ||
> Wearing garlands, surrounded by swarms of bees attracted by their fragrance, with faces like the full moon, and bearing a humble demeanor.

13. **Yakṣeṇa** **eva** **kṛte** **tasmil** **lakāme** **puṭabhedane** | **remāte** **paramaṁ** **bhogaṁ** **bhujānāu** **nijayecchayā** || 102 ||
> Just as they used to enjoy the highest pleasures in the city created by the Yakṣa, according to their desires, so too, in the city of King Pṛthivīdhar, they enjoyed the finest pleasures, according to their desires.

**Notes:**

* **Taddeshyapi:** This is a combination of "tad" (that) and "deshyapi" (even that). It emphasizes the action of the subject.
* **Tayoḥ:** This is the genitive case of "taya" (those), referring to Rama and Lakṣmaṇa.
* **Jānākīm:** This is the accusative case of "Jānākī" (Sītā), indicating that she is the object of the verb "pariṣvasvaje" (embraced).
* **Ācāryakaṁ:** This is a term related to the teacher or guru, implying that they were well-versed in the proper conduct.
* **Atraṇumṛdanga:** This refers to a specific type of drum used in music.
* **Kṣubdhārṇavasamo:** This means "like a turbulent ocean," describing the intensity of the music.
* **Vṛndānunāditaḥ:** This means "resonating with the cheers of the people," highlighting the joyous atmosphere.
* **Nṛtyaloka:** This refers to the dancers, literally "people of dance."
* **Sammda:** This is a term related to joy and happiness.
* **Nirjharāḥ:** This means "like waterfalls," describing the continuous flow of sound.
* **Śarīrakarma:** This refers to bodily duties, such as bathing and eating.
* **Saptidviparūḍhaṁ:** This means "mounted on seven elephants," describing the grandeur of the procession.
* **Sāmanta:** This refers to vassals or feudal lords.
* **Sāraṅgopam:** This means "like a gazelle," describing the swiftness of the infantry.
* **Mahācakra:** This means "large circle," referring to the large force of infantry.
* **Puraḥpravṛtta:** This means "leading the way," describing the position of King Pṛthivīdhar.
* **Vidugdhasūtalokena:** This means "by skilled musicians," highlighting the quality of the music.
* **Hārārājita:** This means "adorned with garlands," describing the appearance of Rama and Lakṣmaṇa.
* **Aavanagh:** This refers to fine garments.
* **Haricandan:** This refers to sandalwood, used for anointing the body.
* **Nānāratnāṁśu:** This means "rays of various gems," describing the brilliance of the bows.
* **Indrakārmukau:** This means "bows like Indra's," highlighting the power of the weapons.
* **Śaśāṅkabhāskara:** This means "like the moon and sun," describing the radiance of Rama and Lakṣmaṇa.
* **Sauśānadeva:** This means "like the gods," describing their divine qualities.
* **Varamālādhara:** This means "wearing garlands," describing their adornment.
* **Gandhabaddha:** This means "attracted by fragrance," describing the bees.
* **Ṣaṭpadamandala:** This means "circle of bees," describing the swarm around them.
* **Saṁpūrṇacandra:** This means "like the full moon," describing their faces.
* **Vīnītā:** This means "humble," describing their demeanor.
* **Yakṣeṇa:** This refers to the Yakṣa, a supernatural being.
* **Lakāme:** This means "according to their desires," highlighting their freedom.
* **Puṭabhedane:** This means "in the breaking of the pot," referring to a specific ritual.
* **Remāte:** This means "they enjoyed," describing their pleasure.
* **Bhujānāu:** This is the plural of "bhujā" (arm), referring to Rama and Lakṣmaṇa.
* **Niyayecchayā:** This means "according to their desires," emphasizing their freedom.