________________
304
308
a Conflicting Rasa
297 How to Avoid Clash of Sentiments and Factors ?
297 Eight Poetic Blemishes of Rasa
302 Artistic Continuity
304 The Art of Characterization and Rasa Propriety in Poetry
306 The Blemishes Pertaining to Word and Sense
307 The Vākyadosas
308 Hemachandra's Padadosas The Thirteen Vākyadoșas Explained
309 The Conception of Vākyadoșas
310 Propriety is the Magic Wand
311 Neutralization of Dosas
312 Uktapada Excused in Alliteration
315 Uktapada No Dosa in Dhvani
315 On the Use of the Enclitic
317 Correlation of "Yad' and 'Tad'
318 Mammața's View on Correlation
319 When Use of Parenthesis becomes a Guna
323 The Eight Ubhayadosas
328 A Comparative Study of the Ubhayadosas
328 Hemachandra's Treatment of Ubhaydoșas
329 Mahimabhatta's Conception of Doşasa
330 Two Types of Negation
334 Compound Words
336 Mahimabhatta's View on Compounds Summarized
337 Arthadoșas Explained
340 Exceptions or Apavādas A Critical Review of Hemachandra's Treatment of Dosas 341
341
Chapter Five : The Poetic Excellences or the Guņas
343-379
Hemachandra's Stand on the Guņas Mammața's Definition of Guņas Guņas and Alamkāras Distinguished
343 344 344
XVIII
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