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The Passage On śāntarasa in The Veveka
258 Hemachandra's Treatment of śānta : Review
263 शान्तरस: The Vews of Dhananjaya and Dhanika
265 Is Jimütavahana A Santanāyaka ?
266 Only Eight Sthāyibhāvas, Says Dhanika
267 Mammata's View About Säntarasa
268 The Nine Dominant Moods or Mental States
268 The Accessory Emotions
270 Bhāvasthiti, Bhāvodaya, Bhāvaprasama, Bhāvasandhi and Bhāvasabalatā
271 The Sättvika bhāvas : Hemachandra'a Interpretation
272 Dhananjaya's Views on Sättvikabhāvas
276 Psendo-Suggestion or 37919: Somblangece of Rasa, Bhava, etc.
277 Bhāvadhvani, Bhāvābhāsa, Bhāvodaya Etc. Mammata's Treatment of Semblance of Rasa Etc., Compared with Hemachandra's
280 The Divisions of Poetry : The Uttamakāvya
282 The Madhyama Kavya
283 Mammața's Eightfold Division Rejected
286 The Adhama or Avara Kavya
286 Chapter Four : The Conception And Treatment of Poetic Blemishes
289-342
279
The notion of Poetic Blemish or Doşa Hemachandra's Detailed Exposition of Dosas The Aesthetic Criterion of Poetic Blemish The Problem Of "Vācyatvam" Hemachandra's Sources on Dosa Basis of Classification of Blemishes Accurate Definition Of Doşa Apprehension and Varieties of Dosa Hemachandra Alters The Method of Treatment The Rasadosas The First Case of the Admission of the Factors of
289 289 290 291 292 292 293 293 293 295
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