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(i) jñānād anyat kim iha kuruşe nirviśanko ramasva/ 539. (j) tyajasi na manāk tankotkirņām..cidekatām/ 566. (k) vyaktiś cet parivartate kim anayā jñānasya nājñānatā/ 620.
(i) jñānin bhunksva..năstiha bandhas tava/ 150.
(j) tankotkirṇaprakaṭamahimā spūrjati jñānapuñjaḥ/ 193. (k) ajñānam na kadācanāpi hi bhavet jñānam bhavat santatam/ 150.
57) niscayam iha bhūtārtham vyavahāram varṇayanty abhūtārtham/ bhūtarthabodhavimukhaḥ prayaḥ sarvo'pi samsāraḥ//5//
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abudhasya bodhanartham muniśvara deśayanty abhūtārtham/ vyavahāram eva kevalam avaiti yas tasya deśanā nāsti//6// 58) None of Amṛtacandra's works refer directly to any other composition. Could the following verse be an allusion to his Samayasāra-kalaśa? : śamarasa-kalaśāvali-pravāhaiḥ
kramavitataiḥ paritas tavaişa dhautaḥ/
niravadhi-bhava-santati-pravṛttaḥ
katham api nirgalitaḥ kaṣāya-raǹgaḥ//378// 59) The warning in the following verse that the Jaina should not imitate the Samkhya in treating the soul as "inactive" is a good illustation of this point:
mā kartāram ami spṛśantu puruşam Sāmkhyā iväpy Ārhatāḥ kartāram kalayantu tam kila sada bhedavabodhad adhaḥ/ ūrdhvam tuddhatabodhadhāmaniyatam pratyakşam enam svayam paśyantu cyutakartṛbhavam acalam jñātāram ekam param// Samayasara-kalasa 205.
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