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Kavyakalpalatávfitti
Again, just as he does not analyse in details, problems that 'Parimala' has already dealt with and analysed, he does not give his comments on matters that are too simple. Thus, while coming to the सकलक्रियास्तबक (4-4), he states that he does not comment upon it because it is easy to understand सुगमोऽस्तीति न व्याख्यातः. Again, in his comments on of4G7, the author prefers to comment only on
अङ्गभङ्गश्लेषव्युत्पादनप्रकार. Thus, what is easy to grasp and what is fully analysed by the “Parimala' does not come within the purview of the 'Makaranda'. This shows the author's understanding of and great regard for 'Parimala' and his thorough grasp over what must be added and what not. Study in Details
Let us now note a few details, critically and analytically, of the work and the Vrttis on it.
काव्यकल्पलताकविशिक्षा
The work is divided into four broad groups known as AFP and each Pratāna is sub-divided into several sub-sections known as FIC. Each Pratāna and each Stabaka is given a specific title. Thus,
The first Pratana is known as छन्दःसिद्धिप्रतान and consists of these स्तबक :(i) अनुष्टप्रशासनम् (ii) छन्दोऽभ्यासः (iii) सामान्यशब्दाः (iv) वादः (v) वर्ण्यस्थितिः The second Pratāna is entitled yofaf art and consists of these stabakas : (i) रूढयौगिकमिश्राख्यः (ii) यौगिकनाममालाख्यः (iii) अनुप्रासाख्यः (iv) लाक्षणिकाख्यः The third Pratāna is effGt and consists of these stabakas : (i) श्लेषव्युत्पादनम् (ii) सर्ववर्णनम् (iii) उद्दिष्टवर्णनम्
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